Timmins Newspaper Index

Porcupine Advance, 23 Mar 1936, 2, p. 6

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Latest in Fashions at A. Shaheen‘s Store Swagreo Wid O tre sh( the dic 1A 1 Intrinsically _ fine beautifully made. Enjoy the distinction of fine shoes to accent your Spring fashions. Ties, pumps and straps in the modes of the moment. New interesting leathers The fashionable broadâ€" strap model in black kid, perfectly deosigned for â€" dressâ€" occasions. too. Many are the ous Classics priced viilinp High heel V ogue Shoe Shop F4 $1.45 to $6.50 and Reefers in a lection of Models. oneo of ind lowâ€"cut REED TIMMINS wid s in the 1936 ide selection of chasose are now heen‘s 19 Pine iheen has been ‘onto and Monâ€" its, dresses and shop‘s spring ded coats in all te that fashion has something ed the models in our spring showin hem pleats in vÂ¥. Men‘s J a m â€" from Tiinmnmin in thei 011 of The tailore emphasized t silk jersey t dinn mate skirt be Spring Styles Our buyer has just returned from the style centres bringing with her fashion‘s latest dictates. Come in and check closely our showing, point for point with everything you‘ve been reading on fashion this spring. Never have the styles been more interesting. 11 11 COU The bolero dross, of Spanâ€" ish descent has already been â€" hailed a fashion leader in Europe. Now the New York version comes to the fore. The silhouette i s equally smart for women and for Misses. LEFT ) in tune with FABRICS BEAK INTEREST 1¢ lv Hi I9 â€" PINE STREET, SOUTH â€" PHONE 605 dA 7 11 16 11 PAJILORED HATS POPULAR WiIl itter 1 quared tog! _ occasional sHOFES OF RAYON WAIN~TLINE NEWS sSHEERS POPULALRL beit mMOoll 176 [ $ 6 SOPTER SUITS ‘ored su‘ts are first in imâ€" e soft suit has started to gnized, varied in type from > ensemble to the cape silâ€" he cape suit shows promise x of the season‘s favourites. 1e Di cLUKFLY TCXCPES bic omp inne pring delivery sheers and > big highlights. More and m goes to the cool lingerie se, too Chances are that itinue well into the sumâ€" en the weather gets too rsted suits, the linen suits 0 Its own. 11 11 11 eers, such as organdies, selines, which they call tiny cap sleeves or iguished by ‘the very ullness at the front and . Some of them stress of ruffles around the ilation Margot fashion. châ€"discussed â€" waistiine is a vital point of style urably interpreted in rsions and the empire of waistline treatment rood," for women can istiine becomingly, and figure appears to exâ€" in the high line, even by peplum flares so novelty is provided for re feminine types deâ€" anry the dressy suit, or r suit, shows a collecâ€" ig shoes, all of which bed spun rayon fabric combination, with leaâ€" launched this spring. 1 "Shutex," is termed "finely woven ribbed a dull rich lustre like S‘ What next in footâ€" 11 alds, amethysts, topâ€" ire simulated in the y suggested for afterâ€" ason. The stones are and come in three square, oval or round. hats which accent he basis for the In a season when ngly featured this The shapes selected variations of the es ar4a pillboxes, offâ€"face beret to THE PORCUPINE ADVANCE, TIMMINS ONTARIO The Chinese collie style hat goes well with this severely plain pencil silhouette coat, which is just a little slimmer than Fashions in Paris Show Revival of Imagination The jacket will be cut like a man‘s cutaway or tuxedo, but so fitted as to avoid a too masculine implication in spite of its ‘"Dempsey‘" shoulders. Dark suits will be worn with vivid blouses or waistcoats, in printed fabrics, some of them of mannish surah scarf types, others with dressier flowered prints. Creed‘s "college gown" swagger coat, to accompany both town and country suits, in a soft plaid woolen is someâ€" thing new in topcoats. It an amusing and novel silhouette. Rose Valois‘s high hat in shiny black straw trimmed with a grosgrain ~ cockade, borrowed from the preâ€"war cabby, tops off this sort of thing to perfection. Flowerâ€"Printed Blouse One may prefer the gayer type of suit, such as shown by Chanel, Molyâ€" neux and others, which, though it is tailored, is softer. It has a babyâ€"swagâ€" ger jJacket, bigâ€"topped sleeves and cither a youthful flowerâ€"printed blouse or a plain biouse with a flower bouquet tucked under the chin or into the buttonhole. Chanel has a particularly good group of suits in this genre. She says of them "that they have‘ a boyish air, which does not imply masculinity but which, on the contrary, harmonâ€" izes with the feminine note ‘it is called upon to stress." She will, for example, on a flowerâ€" printed blouse of brocaded organdie or sheer coiton crepon place an Eton collar; trim a schoolâ€"boyish ‘straw hat with a bunch of ultraâ€"feminine posies, and put practical hipâ€"pockets in a skirt cut with a graceful front movement. Chanel uses turfâ€"green, navy, Delft or even forgetâ€"meâ€"not blue wool for these costumes, which are suitable for mormnâ€" ing wear despite their festive appearâ€" ance. * Its long split cave sleeves are lined with a tiny multiâ€"colotred flower print; near the shoulders they are trimmed with bows of the print, which also make the youthful collar and bow tie. A navy blue leather a hat of transparâ€" ent navy straw and a longâ€"handled parasol of the print complete the picâ€" ture., (Parisian Letter) The Paris fashion collections shown for the coming summer display a reach of imagination seldom equalled in the history of the couture; at any rate, not since those preâ€"war days wheon the very name of Poiret, Paquin or Worth conjured up a sartorial Arabian Nights entertainment. The severely tailored suit is stil a big favourite for mornings in town. This irresistably suggests Cresd, faâ€" mous for his suits. The smart tailleur is apt to be black, navy blue or gray, though many choose one of the conâ€" trasting jacket suits so popular this season. Though suits are much in vogue for afternoon wear, they will perforce abâ€" dicate with the approach of warm weaâ€" ther in favour of dresses, or dressâ€"andâ€" coat ensembles, the dress being mad: so that it can be worn without the coat if one wishes. "dressed" air are liked by smart Parisâ€" iennes, who take rather timidly to the American fashion of going out in town without a wrap. A characteristic Leâ€" long model, in navy wool, has a fourâ€" pocket jumper top, buttoned down unâ€" der both arms on navy bone buttons. Its long split cave sleeves are lined with a tiny multiâ€"colotred flower print: near A Lelong Novelty Lelong‘s twoâ€"piece frocks with long cape slesves that give a â€" woman a severely Tailored Suit Still a Favourite. Flowerâ€"Printed Blouse. Some Noveltiecs in Coats and Gowns. Evenâ€" ing Gowns in the Mode. pooular oX COR Coolie Style Fancy edgings are being revived along with the "Gay Nineties" fashâ€" ions; they include narrow fringes, cotâ€" ton eyelet embroidery, puckered linen laces, patterned with colour, frilly ribâ€" Is the shoe to match the new spring outfiit a problem? It shouldn‘t be Vogue Shoe Shop in the Reed block has received a full line of the latest creations in women‘s footwear and they‘re now on display. Shoe styles this spring show marked changes from the previous year and will be a real deâ€" light to those who take advantage o Vogue‘s qisplay. Lucien Lelong particularly favours ribbonâ€"bordered satin or faille broâ€" cades for evening. Some marvellous fabrics of this type have been specially woven for him by Coudurier or Bianâ€" chini. His white faille evening gown with gay plaid borders is ravishing for a young girl. Lelong uses the plaid border to edge the hem of the ample skidt; it outlines the armholes of the elbowâ€"length balloon sleeves, and forms a corselet, suggesting both a high and a low waistline. A snowy ermine jacket lined with the bordered faille luxuriousâ€" ly completes the ensemble. Plaid eveâ€" ning trimmings are very romantic in an 1860 manner. In addition they have a mischievous harlequin air, Bordereg materials of all kinds, such as borderâ€"printed crepes, tweeds with woven borders instead of the customary narrow selvage, ribbonâ€"striped or emâ€" broidered bodered brocades, are novel features of the summer mode. Wave Panels An evening gown called Idole is a typical example of this technique. It is in mauve crepe. Semiâ€"attached panâ€" els form the back of the bodice, the sleeves and the front neckline; they are fastened to the rest of the dress by four doubleâ€"headed jeweleq pins, alterâ€" nating coral and turquoise. The ends of these panels are then incrusted into the front of the skirt, giving a graceâ€" ful forward movement. The belt, trimâ€" med with jewels to match the pins. gets wider at the back where it is buckled. Fashionable Shoes at the Vogue Shoe Shop, Timmins Chanel‘s worn over are among are black, d Draperies are less voluminous and much simpler in the summer collecâ€" tions. Lucien Lelong probably displays more : drapery than any other Paris couturier. He handles it like a sculpâ€" tor to achieve his characteristic "wave silhouette." His "draped panels never wander off into space" (to quote from his own rematrks on the collection) but suavely sweep out and return to the gown by a subtle disposition of deliâ€" cate folds. "Free, easy, full, they enâ€" hance the natural lines of the body by their glamorous movement," says Leâ€" long, "important"‘ sleeves, are stressed for afternoon by Jodelle, Goupy, Lelong and others. | A successful Goupy model has a -bluckl marocain coat with interesting wide armholes giving it a squareâ€"topped ef -i | fect, slightly suggestive of a Japanese kimono. The square motif is carried out throughout the composition; in thc? collar, in the highâ€"buttoned fastening | and in the incrustation which fits the | waistline at the back. This coat accomâ€" panies a crepe frock, printed in black| and red, which has the charateristic | Goupy tripleâ€"puffed bishop sleeves. Coâ€" | lette Goubpy tops it off with a tiny‘ black straw turban trimmed with a | black and red quill, and softened by a poke veil of black horsechair. | Sleeveless long coats that barely mee in front, in silk or wool of plain colout worn with printed crepe frocks havin{ FPlaring tunic jJackets of crisp faille or taffeta with important sleeves and flattering collars are among the smartâ€" ést new endâ€"ofâ€"theâ€"day wraps. They are specially featured by Goupy, Mabby Rouff and Worth, all of whim like to emphasize the front fullness of the tunic.: Goupy favours the hipâ€"length variety. He makes them in Kellyâ€"green faille for afternoon; in plaid taffeta forâ€"qginner, and in flowered faille for evening wear. Maggy Rouff prefers the halfâ€"length tunicâ€"coat, Worth the kneeâ€" length. The tunic evening gown is one of the season‘s style highlights. Lucien Lelong stresses slim kneeâ€"length tunics draped so that they enhance the curves of the figure. One of his big successes is called ‘‘Margot." It has an oval drapery in the front of the tunic, which is cleverly continued into oval incrusâ€" tations; these give shape to the front ofâ€" the bodice. ‘This gown is in dark brown crepe, the yoke and the entire back of the bodice being in dark brown tulle. It gets its name from the Medici coiffure of dark brown tulle that is atâ€" tached to a little tulle capelet. Mail angq Empire:â€"Stanley Baldwin‘!â€" N says, in effect, that Britain‘s warmest'Hitl wish is to keep cool. ten One of the most amusing pictures to be, taken duri to date is shown above .A forlornâ€"looking rooster j wood, wonders why he wasn‘t born with webbed fec SA M BUCOVETSK Y THE FEMININE SUIT BY ... . LANGBU R N E. FPORLILORNE®T FICGURE OF THE FLOOD®S A suit of new Langburne imported tweeds of rugged softness and refined colorings, the style of which combines feminine charm with mannish elegance. One of several exclusive Langburne this store cordially sonality Whether burne coats and suits are adapted to your perâ€" reations in spring apparel, and available only at invited to observe how admirably Lang )u intend to buy or not to buy pictures to be taken during the "flood . {forlornâ€"looking rooster perched on a North Bay Nugget:â€"Apparently He Hitler, like others before him, has bi ten off more than he can chew. eaSon ° par of

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