\ r Iniun ‘ V V f 3 I I a ~.. ~ ." «C \ ~ .2 / STA†’HOTOSBTIVE SOME mm . E ~ You cantake great ï¬reworks photos CANADA DAY: Staff photographer shares his tips You may want to Match!» gun-Id ~ kids Watching. trees. etc. You will need to use a cdale Idea: or witch; m to pw- vvnt any camera shake caused by touching the camera during the long cxpmure. The vibration reduc- tion settingdms not apply hen: When photographing ï¬reworks. your camera need- to be net up on a audy M and your wide- anglc lens aimed at I section of the sky when you anticipate the ï¬n'workswfllcxplodc. Sec you: m at 400 or 800 and yuuxminthc4to45nngc. Ute I locum of beMcn mm and 10 secomis (ideany. use me bulb setting to choose whatever shutter speed duration you require for each explosion). IV STEVE SOHEIVILLE ssomtrwlltayrmg. com dme in seconds as you shoot. Try to chat the drums bumm lust prior to the explosion. then [wt-lease u when the ï¬reworks trail Ls extin- guished. may be two seconds. four seconds. seven seconds or lon- The ï¬rst ï¬remrbs éxpkmon is good for testing your setting; Check you: viewï¬nder to be sum you are getting good expu- sures and adjwzt those settings as Anticipation of when and What they will explode is crucial. "lit neural phonic exactly when the ï¬ruworks an exploding. Since ï¬re works are so unpredictable. you need to lake 3 lm ul plumm Do not pt W if you miss shms. Anucipate and keep You shouldemmtdnexpouuu