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Jab, wnuau uv:u.uu.uu aw55v.a-vuvuu 94-. muted: Use ybo-ur eyes as little as pomble. Lean the fmgenirng of an anpeggio by booking it up in your book and! memorizing it away fmm the piano. Next test id; at the in- strumetnkz, careully nvo UiJug the `moolk andigfeel ozf the a.11pe;gu1go s oornrbovur. Tfhenmmwtice is rvexpeatedly wistihrorui looking at the hands or kerys."5 Do not be disuotumged or tempted ho help youmelrf by Looking when you feel uncemtain OI!` hesitant, m :t\- ,#__._ ._ ._ -4... _ upper rmrl ;;e1 1,0. an t=`.u'pT`.0nG . .-;)I'1-mi Let anal TIIURSDAY, APRIL 18, 1929. A Page or Student: or Musicians ` Who Desire Improvement By J. Andrew Wiggins ii '91- H v -v ---~--..-~.-.- THERE is l10l.lllll}.', that has ever taken Aspirin s place as an :mti for pain. It is safe, or physicizms wouldn't use it, and cmlorsc its use by others. Sure, or suvcrzxl million users would have turned to something else. But get thu real Aspirin (at any drugstore) with Bayer on the box, and the word _arnuine printed in red: /;$ Aspirin is a trade mark registered in Canarlxl Tzlliuairal ilurlh` ) with another of .' in which 1mrl;Ll six.-'n.< are not` zmrl two 5:00l .<<~coml _s:x~:1 5-vvu uuvuv -uun uyuuuuu rvouxzuqgvu an the tretbl-e clef, but must be omirtlbed when the same gwurnre is p1!a.yed- fan the: down on the piano. Any pupil in the early third gwade will get tlnomugh emjroyunemt (nut 03 the ClotwIn e Dance, by Edith T_I ...hL--1. ...L.'..'L _....L .._1.. ...L ....-.... JUL- ..... .. ,.............. .................. .. ...... w\a.yinw.}1d:chhhe.pedKa.lmarybeused 64. .........J -18.-..-L ..-. ......I-.u'u. v......~..:-A... .'-.. uccu nu.-uusuu-uo vvavuu Auvivvoay --.4 slow, careful, imaginiamive pnactics without the help of your eyes is of more real value than any amo.umrt. out glib, eye-assisit.ed anpegxgio and -the result orf srwdh practice will be the cultivation ocf sensitiveness in ytovur ngers which will enable you to esasily nd your way around `the ke_\'b0art.l in all ciircLnmls'tances, even when your eyes are shut. .-Xivpeggio playing` is not easy, and you must not be (liscourag'e(l `by re peatecl failure, f-_o`1', masterecl, it i.\ t-li"~.mI0S't ef'fecrti-ve stunt `in piamol playing. We lmpe when you read this there will be no need to remind you to listen to every note when practicing. nun; nu Ivu:.u\.u| uuc .y\n.u-u nag; |r\a -uvu to good effect on centain pa.s=1a.ges in 441... L.uJk1n -1! `bunt n-n~..d- Ln ~wuuHt..-..ln una L'Utl`(.lQ'L' ings in close 341111 "I/DE (1ll`1'd.' IHHJITK` succession to stress their contrast. Two measures or! bnolken anpe-gigiaus on a diminished seventh chord wirhh the pedal mark con;tinued throughout show h-orw the dhmxpenr pedual may be held dlorwm as long as the harmony rezrnaims un- changed. Syneoapatedz p0(lall`lI1zg' dlifcu-lt for most pupils plish, but sinilpel enougih cmce it is acquired. For its mastery it is best is a `trick nu; Aluunvlvu I cannot remember rtlhe time in my life when I have not vwonked hard, and` even nzonv a sixteen hour day is not unciocrmnon. My (May at the office may be crowdwcd with de tails, but every day after evening dinner I must -play the piano for an hwourr or -two, and no matter how hard the day, and tired as I may to aewmbe, after I sit at the piano for a while all fatigue is forgotten, the wri-nik-leis of care are mnomrthed out to Select pieces which involve vewyl and I nd myself refresllied and re Ivinttle pedlallinzg of other types, andEneWe`d- two excellent numbers for this pu-r-i pose are Reverie, by Emile Gas-{ by telle, and Mir1`oI1`e`(l Pines," I do not believe the`tonic pro~ perties of music are fully appre*c1ia.T~ ed, and I fully believe the reason 1 Charles Huertw, both of which rt} am able to work so hard and still quire symcmpated 001-Nvork th,0wg.h_1`etaivn my health is because of the Ourt and change pedial twice in a measure so oonsistelitly that marks would be hardly necessary except in, he few places where ped-al on each] beat -is required. uplit and stimulation p1`l0Vl(i:'.l by music. There -is a reach and power in music that nothing else h-ais. 9900 IRURAL .SCHOOLS WITH 1.!-`SS `.Tl-IAN Tl-`N DHDII c vulmvv \4vu'\..nI.a uuAA\4 vrx. uvuvuau Annuuux` lchaanged. ....-...-,L-,I ._,I_II:__-_ :_ _ '.'.___'_I. the L 4. .- .,....... ...~.......,..-, .,, -..,..-..-.. .- Goodtridh, and Spnimg is Here, by Amna. P1~i.9ci.l>la Risher. These not only emphasize constnaat between legato and staccato, but also fwrn :..L .. ..........l-:_...1 .'11-....6q...L.A.. ... `.1... u.5p~wv uuuu an-avg-uv, ~-awv sung gum ish a pmaucad illuzstmatlon Otf tzhel ....... 1... ....L:..'L KL, ..,..A1..1 .....nn... .1... -...~~.I mu. \1A1-nvv|u -7 AJ`GUAl`\v\4, V; .:Juuvn Hzaltch, which not only shows the difference of hreamment or legato and staooato, but also uses the t.._.. -..._..1y..n .___l ((4.... _..-._I_n ..-__.1. 1 s.`\vJan.nure, Wmch laC.K.S pewai parts. I I It may be observed here that one at` thebest aids to intelligent smudy is the pencil; non; tihe beadhens, but the pupils, for the pupil who learns to mark his own music is cultivatl I ing the habit Olf doing his own thinking`, wih>oruit which, true musi. cian&m'p is impossible. In T-he Cue ` it will perhaps be necessary to suggest the effect of applyrimg the pedal axter the rst aocensbed stac~ caltzo naotte, beryornd -this, si:m[pI:e men-I tion of the act that some measures will require a change of pedal orn the second beat because of changing hammondes wnhile oihers may remain the same pedial thirougihoust, shcmld be sufficient heip fvom the teacher, and the pupil should write in the ..t..... .. 3.... Lt.-W...-.1.-P ulcnl-3 .uv-s u.uuu....... Another pair of attractive pieces to teach in tzhe same way is Buck's Dance Gmottesqrue, by Flmwence A !`n.-.JI...'.JL .....l KlGm...3.....-.. :1` `In ...-.\!! Ln: Does Technical .Skill}Dull the 1 {Creative Faculties ? ' .-Xccordinlg to some 0\f U110 news- pznpers a yo.un:g' composer of popular melodies has been aalvvisecl by two well knotwn mu!s'icia:n.s not to st.u mu.sio, the 1'(:'aSOI1 they give being} `that .<.ucl1.st-utly will stunt his natural` talent. , I 1 x , 1 , ,,,,u,:,, [Hints .for [Mastering Arpeggio In the dhapterr on Ampeggiro pnao tice in Enid: Gr1md'y s newly pub- I_'_'L_.1. L.._.1AL.\..u`. Hff... L'l'...-...a- Dhwvu '!(iL'}.`,ll'(:(;S and with .<.tLul_\'. ` For those who know anytl1`ingi about how the highest `talent is ale: iveloped, this is (lifcult to be'licve,} ideclames the Musical Trades J-o~ui.na`..` [If `these two well kmown mu.sici-an.~:"; think for at m.ome'n, they will kinou` thm. in every case, where 21 c0`m~` ipo-so!` has achieved 11 finely--.sp0ntu11-, | I uous llonw of mclu~z,l_\', not to say zu1_\'- iilill,'_" abut the zLl;2lit._\' to write 1211;;-`u Iurnl hi.g`h.l5'-dt:\`clupcd \\'01`k.s for :1 number of voiiccs om insrtiunicm.-`. Lhis ubilit_\` has onl_\* come by slow 1 l 0.. ..,.u....`. \Yr......t . pieces to use in this way are Dainty Steps, by C=u t1h;bert Harris, a min- luet with the pedal emphasizing the ic-onitvast between legxamo and swt;ac~ cat-0, and The Cuckoo, by Wilson 5.\'Ian.h:ire, which lacks pedal parts. 1 n ........ 1..- ,.L.-M...,\.1 Lmw. H... Ann` ...`b...-., uauxl ......._,. Such cv0mpo;~:cn' as 1\'Iozant ox` SCllLll.)0l"1L, provbzxbly the mostt popular` ma-l01|i.\:ts of all time, or Handel, 0: !Bizct, the composer 01' C-armcn," {or \'lL,':l'lll, or Puccini, who (lid not `\\'1.L(- 1.11:-iy lu-.~=t. nn.-l0lic.< until tln:;-,- `:l::1l ucquirml :1 x)m. 1(:1'_\' of .~'ucl1 .~2u'n. u . . , . . Mus: ucquirc \\I .. ......-...~ ham` m 0 11 y, unriversity I fouml my mm'(- than vwv an u.~1<-I \vz1.< invited out morn tht-r boys. My prom- 11ca mind nnrl pcl I j I Hon. G. H. Femruson, P1'erim'ver and _iMinisfLe1' of Ihlucaition in the On-133.1-io ,'G0\'e1-n-meat, told members of the " Ontario Edwucaiionval Assciiation than. he was g'oing' to shay on the job" 1011;: enowuf.-`h to effect snle improve- ment in On1m`i0 .= rural e s_v.=/te-m. You may not like it. but I have to do soniefbiiinz who-timer you like i` or not. he said. 7111 1-` ~ -. .. i r l 5 1 NJLC nu .;4un.u um uuuv_y u u|\. run-I 1ished' handbook, The Happy Pian- ist, these helpful smggesitimw are ._...J....l. YT...-. .....-u pm-an 11.1-1 1:4-#11; nn I`m:m_\' country schools with x" `yu`piI.< or laws and `.hsL n1(:z1n.= that 11hr? .=ch0o7 i:< p1*ac~tic~all_v :1 p)'i\'z1.tc nu2`.'~'r,-r_\', ho remarkctl. '900 rural purpils. conz. pa] 1 i ILL", of all pupiI.~' or n '!"ern worn 199: than 1(` *`m:.. 15 pm` rural 9:-!=rv0':s h:1v- tor. less. To mu it is up- said the Fri,-mic). sh 0:01.: wi`t.I1 'I`h21t 1m-ans luau-.n-. uuuu nun: uauun vu. wrc Clcaau. I came out -otf the war wilthout any physical innspaimnemt luxckrily, but motahlyy withnud: funds. Eom`t;unaIbe11ry, -rrnv AIR, Rn-na 4-n..~1.r an... 1...?! .....A 1 I yperties fully `ed, and Eretaivn `in u.n... mu. vvsux ua.vu\\. uuw. I was uonevorf t}ue4~1~st to enlist and was soon in a. training camp near a large `city, but it was the same old story over again. Douocrs were open. ed to me by people to whom music prwvd-ed a mutual bond, and I do not meam to imply that I wlouud-d4 moi have made 1-iendts wirhhxormt the music, -bruit my music made the pawn] so much easier and pnocvided me with a universal badge of felbowslhip whicxh adhndttedl me wirthouut any pre- amble inmo the hams of the eleo. l 1 --._._ ...A. _.A L1,. ,,-xu. ,. utsv ; nun nu.-vuc 5c.uIcu.n4 ummugxu of the c>0m1planur._ I cannot qruirbe urnd-ensmndl it yet, but one of the secrets orf"my rise has cezftaimly been 1 run rn.-n.m.n |9900 LESS `THAN TEN PUPILS _.._y `(15. ....u.. mow... uuc nouns, n.uu: 1 went t wank with my usual zeal. `Du-u.-vi-nu-u n..A.-.~..~,1 ......l :..-...|. .. ....-_. was requested here and there... I do not doubt because people wanted to hear me play. I was appointed ac~ companist for the glee club, and took two extexuled trips each year [giving concerrts, and on these tnizps :1 met more people Otf inuence am} ' culture and my nmsic was again the open sezsame to many dloor . `l\u..:-n.-- on v-m..n+nn n nn.'|'lnmn {>'1~1'om J UIJC-ll DCallll`C UV IIIKJIIJ LU\J'vLa- I During a vacation a ooallegwe friend] invited me he go home with him [to show me off to his o.hks, as he lexuprevsse-d` it. His father was a very suocessul businem man-, and put a business opponmumity in my way [when I gmaxuame-(L fnotm university` the next year. Then I got married- and threw myself into my new wwo-pk wirbh all the energy I possessed, the business pmospeved and I ha] work- ed up rto a posirtzivon of responsibility when the war broke out. v 911 n v The common cause of digestive diI~ uzlties is excess acid. Soda. cannot alto! this condition, and it burns the stomach. Something that will neutralize the acid- it{ is the sensible thin to take. That h w y physicians tell public to ma Phillips Milk of Magnesia.- n.... .....,.....:..1 ..c 44.3. Anlioiutfnl Ivan.- Dn _Use jof the Pedal ......Probably jno /other. part. [of }the piano holds such fascination for pwpils as the rigamper pedal. Use it they will, rightly 01' wrongiy, as soon as they are big enough to reach it, and the sooner they learn to mamage it correctly and in.te11i gently, the better for theim and` for their general musical ctevekopzment It is one thing`, however, to know how"fo use it and quite a di earernd' matterr` to know when to use it dis criminately and effectively. 111-11 .1 , ,,,_n -,I:4.-.1 a.-....L.' A . `II Luuulla uxun V1. Alla-Snayunn-c One spoonful of this delightful ration can neutralize many times volume in acid. It acts instzulgl; relld is quick, and very apparent. gas in dispelled; all aorurneas is soon gone; tho, whole system is swuebened. Do hi this, perfect anti~a.cid, and nzrnember it as good for children, too, and pleas: for them to take. ' ` Any drugstore has the genuine, pa-' aeriptionnl product. PHILLIPS Milk u Alan.-..:.e%a Th (- 7 wid?'!2f_ I. V ..I.l.l\. of Magnesia .'~*.aid that! v The Northern Advance th 0 N: Hrwd.-sozn -1\/Lorbor Car Co. repo=rts||] March ushipmems of 44,295 cans. This ds dlhe lalwgest month in the lhisrtory -of the company, and` int. `brings rthe rtotal shipments 1'-or the; `r-at qulanter to 108,298, which is I the 1`a1'p:est =th.rce il'l1`0I!1thS periacl, Hwu ever has known. InlA March a year ago Hurds0n~Esscx' shippetl 35,730 cars, whilr: _L'u.1`e-.e2l for the rst qumrber of 1928 were: .71.-135. ]1os,29s HUDSON MOTOR CARS i ` SHIPPED IN THREE MONTHS] -- _-,.__ -,,,, Hudson announces that not ownlyl are its -proclsucrtion and wshipmc.nt.: ad a new higzah 1cvc1,but-thzut retail sales` are now at `a ]1ig`he1' rate than cars` are being manufactured, al-tho111_-'11. Jug. T-he snowy white and ebony `blank keys look out at you ow all -the world like eager faces gathered ayyund a festive board, awatitimg just the human boruch, foo b-reank ovmih irnta speech, in~o laughter, into sotng. 11",. .-nnlao. nn 1-I-nyN>`1-uynin Ayn n.n?n.n I V April will proceed with 21 sche of 45,000 cars, it is a-nn-ounced. I I NEW CHEVROLET SIX PRODUCT OF GENERAL MOTORS OF CANADA, LIMITED Back in 1883 the steel for Canuda s rst trans- C railway line was slowly creeping across 11C!*fl\`.w;. Ontario. Thomas Flan:w,'un, a l_>1ack- smith, 11(nLir'(!{l that certain parts of the earth along the right-of-way near Sudlxury were of a reddish r-nlr This lml tn tl1(=.(lis(`:overv of amber ores. Trouble the rlgl:L-ol-xvay Buuhury 01 a re(m1sn coh 1`hislc- to the (lisrcovery copper in ~.vorkim: the ore resulted in a laboratory test: being made and to the mine owner's surprise the o1dspirit-` nickel is an old German name for the evil spirit that had lmthered the early Saxon miners-was discovered hidden in the copper ore. This troublesome nickel in the ore proved to he more valuable than thr to-day Sudbury nickel is known and used the world over. nm: Imp nf nix-1.-{I that touchesdailv life olnselv in nn allov with 7.im'- zmrl (-nmmr for 1"vu.- -"nu .;. . _ .3, n n:.:-.'r:su1.5'.;1a|r.Icun:':aau:m-.;:..-u to-day Sudhury nu,-l<(-1 1s Known and used we world One use of nichcl that touches daily life_closely is an alloy with zinv zmzl (:0m)e1' for 1 he -"rm" inside telephones. When a telephone user lifts the receiver oil` the lmol; ul1r:; 1nu': . complete the path to the operator s signal lamp. In the lame nicture above we see a. group of men at work in a. cupcln 0.5 the Ini'\-I'D;-.1,l()m1| .\.` complete the path to me operators signal lamp. In the large picture a. group oupcln Int;-rn; Sudhury. The young lady, at the 1'ip:ht in the Northern Electric factory at !\-Iontrenl, `Tr: apparatus; parts which have been plated with niche] for protection 9.;_::v7.vwf. !`1!.~`.t. - YoudreCordiaUylndtedtoScoOurSpciolEzhibitaftluNewOawolocS'u --aSz'x:'n tiveprz'aera1tg0f`b9f0"" or.-n,\.u, Anrv ...u..un,., vv uvub. To pulse in rhyl` 'c dsamcinzg mood, or inn stately sober bread; to munmer a response to your sosnxowvs, to whisper an urndxerstan-ding af ylom seorert. hopes.-Anldlextbotn. the 0 9 I'D Xfk conceptioaofh.|xnry,comfotta.ndstyle. Come.in any time wed: of April 2'Ot to 27th. We want youcoseeforyourselftbatno othetcatinthcworldmn .2... urn: an Hutu-`I at I\r;o~o `:95?!-u'n OL- up-up-L 1.` all you Ink 363 IIJK y\JU.l3CI1 L113` [10 UUICF Car In CJIC WC. giveyousomucha.cpticeswith.inthex-eachofall. C. i`hmm.z;m Fiatlagan Speaks Nickel T.n.copLTEn 5 ; ~. it u S [i' ['1 X it {capacity since -21 little after the mid- -dle of Febvuary. Ordinarily the isale of cars dzoes not catch up with manufacturing schedules until around `April 15, ibuvt HM'LilSOn-ESSEX antici- pated this date by about mh.1-ee weeks. In the week en(liun.g' Mm*c1h 27 shipnients were arouml 110.300. While metsail sales were 10,801. Hul. s first quauter ' scheduule `in the year it was -annvoiuncul that #100,000 or 110,000 cars would be x-built `the rst three months, and this f't_-~11r:- was Iiiissml hy le.=`.= ham 1 pm` cunt. A new ;~'(`C (`1V.il`i0fIU(.` just ro- }cci\'e(l b1`in[L`>'. ,Q'1'atit'_\`ii1_-' 1>'1~'Lll`ZlllCx_' fzhat he who (i`0F`S the pictui-us has n n, was` 'Z1lnl0. \"i`, ux21ctl_\' as planned. Early` 1 V DON"l' BLAME FOOD FOR INDIGESTION ~-;.._-._. I I .;u;;edtyi:y_ excess stoma-ch Even s, however, M6 .1] am by taking _a. little 5'1?-pa : Di2gg::>sin. which 1`="'Y naztralizes the excess acidity. SW? 5" mentation and soothes and heals the agid-in]I3II led stomach lining. Make 8: 1 B . point of gaging :3. S0-cent. pack; `wage of Pu-P 9 D`ppS1n11frIi;1hey(::- ,d_1-uggist toda_y, and so fo ow Id ho 1c of millions all_oYer the W0{ .W use (`Papas Diapepsln to end l1 ld]geS' E Lion and allied stomach troubles. w;+_}. Pm)e s Diupepsin lmndy_ yoly disecmf rt f llow L food End dgcide to m a, diet. Nine times out often In-' at 1 and hearfr u ence mid. C1`1uul|`a.I.t:1`_v curu \:ux.\.n.n\.._y. With the well edited teaching` ma- terial of the prezsen-t it nwot un-' common to nd` pupils so on the g1'\'e~n (li1'(:cti0`n.= that they are quite at a. loss to know whether to pednal once or twice in each meaa ure, wherthcr to use the pedal th1'0u;rh:ou the c:-n~ti1'e piece or 0mit_ it in places. \\'he1`e the soft pedal should he usetl, ff confl-(mtml with :1 selection in VVl`1ll'.`.l1 such inlicz1t.ion.~: are omittetl. | A ._.,.n ... ..-.u....1 Ar ...., .,\..:.`..| \ 'iceive(l brinogxs t that 1 ` achievin,q' .. ..~.n ..x.\,-. ..u g'1'at1' of `.1*iump}1 lost no whit ....4. Barrie, Ontario just m_g's a.<::urancc A 'h0 the has! hit his talent for of ima5:inau'\'c- v "@. The Piano _ The piano is like a greart door, which, svwingnig wide open, leads all who love music over the `threshold and infoo the joyous home of all musical knowledge and u'nderstand~ ing. 7l"ln.. crnnrnnr u711H'1:> and nllmnnv `Blank follow. Wrnnuuu C-20-I-29I pf millions all over the Worm wuu xpe s Dia.pepsin indiges- d Pn.pe Diupepsin handy you ; and enjoy wlmtzever you fancy > hum. of nain or discomfort to anu 1 fear. xvhzttzever mncy of pain Page 86 Ill: Ul|AlL'v\.\l~ An excellent ITIC-thotl of prc~s(mtin._; these principles is to teach a piece! in which the p0(Iullin_2' is well mm'k- ed\',\ _".`rl well \'L`.1'iHi. :-.:1.rI tht-21 Lo .I'0] low up . t)'1)c. In nut[ 11 .1 hvn u-nrnl s:-tvnnui n-Wuin V