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8 \ z %, | Si - She HE 7 or w a a 7) > ib = iy LEH PS | po ~_gredients, . Spread this filling By Mair M. Morgan i ooo 4 Na, " * +0404 SANDWICHES FOR ~ _' Tomato Relish sehig + ALL OCCASIONS 3 cups 1% Ibs.) prepared to- Sandwiches are what we make matoes : them. They may be make-shift bites, with little to be said in their favor, or dainty morsels that bring bursts of praise to the 'hostess whenever they are placed before guests. It is far too easy to put a piece of ham or cheese between two slic- es of bread and call it a sandwich. We are likely to get into this food rut if we do not watch ourselves. But the woman who prepares her sandwiches as carefully as she bakes a cake will be repaid amply in res- pect and compliments, Sandwiches should be dainty--whether for the school or factory lunch box; a pic- nic; a bridge lunch or a buffet lunch. Combination sandwich: fillings ~ should be cultivated. Instead of us- ing plain cheese use a combination of cheése and mustard pickles. As a matter of fact the pickle shelf can be used the whole year round to build up attractive sandwiches for the lunch box, When you' do not desire--~to include pickles of some kind in the actua] filling, two or three pickles wrapped in waxed paps: may be thrust into a corner of the lunch box and you may rest -agsured that they will seldom if ever come back to you at night-- or for a buffet lunch, various kinds of pickles may be placed near the sandwich tray. FEE Here are several recipes showing how pickles of various kinds may be used. in sandwiches. 2 large sweet pickles finely chopped 14 cup celery, finely cut 1 tablespoon mayonnaise 2 teaspoons catsup Combine chopped sweet and celery. Blend with remaining in- on (% cup), slices of buttered bread. Hot Ham Sandwich - Have ready "hot buttered toast, two slices for each sandwich, and lightly broiled sliced ham cut very thin. Arrange a slice of the ham on a slice of the toast, Add a bit of prepared mustard and cover with minced sweet pickles. Put the top slice of toast in place, Serve at once. Bacon and Pickle Sandwich 6 slices criply broiled bacon, ~~ chopped 3 medium-sized dill pickles, c¢hopped 14 cup 'mayonnaise Combine bacon, pickles, and may- onnaise. Spread on buttered bread. Makes 6 sandwiches 4 x 4 inches. Savory Minced Cheese Sandwich 14 pound American cheese 1 tablespoon butter 1 teaspoon mustard mustard pickles 14 cup' mustard pickles, finely chopped : Salt Paprika Allow' cheese to stand in a warm place to soften. Mash the cheese and blend with butter. Add remaining sauce from ingredients, Spread on thinly sliced whole wheat or rye bread, buttered. * * * FRENCH FRIED EGG PLANT Peel the eggplant and slice it as thin as possible. Pile the slices on a plate, put a plate on top of the pile and a weight on top of that. - Let stand for an hour, pouring off the water that drains out. Then dip each slice in egg, roll in cracker crumbs and fry in deep fat. Each slice should be brown and crisp. * VEGETABLE RELISHES During the jelly-making and pre- serving season your bottle of fruit pectin is used regularly ,with fruits and berries. Remember that it lends itself to use in delicious vegetable relishes as well, Here are two that should be upon the' shelves of every preserve closet. pickles 6% cups (2 3-4 lbs.) sugar 1 bottle fruit pectin To prepare tomatoes, scald, peel and crush about 21% pounds ripe tomatoes, or use canned tomatoes. Boil 4 cups crushed tomatoes 10 minutes, uncovered, stirring occas- ionally, Add % cup lemon juice and grated rind of 1 lemon, (For use with meats, add 3 teaspoon each ground cloves, allspice, 'and cin- namon,, or Worcestershire sauce taste.) | Measure sugar into large kettle. Add prepared tomato, filling up last cup with water if necessary. Mix well and bring to a full rolling boil over hottest fire, Stir constantly before and while boiling. Boil hard 2 minutes, Remove kettle from fire and stir in, bottled fruit pectin, Skim; pour. quickly. Paraffin at once. Makes about 9 glasses (6 fluid ounces each). Pepper Relish 2 cups (14 oz.) prepared pep- pers 7 cups (38 lbs.) sugar 13% cups apple vinegar "1'bottle fruit pectin To prepare peppers, cut about 1 dozen medium peppers and discard seeds. For best color, use equal amounts green and red sweet peppers. Put through food chopper twice, using finest knife. Drain pulp in sieve. : : Measure sugar, vinegar, and pre- paréd peppers into large kettle, packing each cup solidly until juice comes to top. Mix well and bring to a' full rolling boil over hottest fire. Stir constantly before and while boiling. Boil hard 2 - minutes. Re- move from fire and stir in bottled 'fruit pectin. Then stir and skim by turns for just 6 minutes to cool slightly, to prevent floating fruit. Pour quickly. Paraffin hot relish at once. Makes about 10 glasses (6 fluid ounces each). * * * open JELLIES * Plan your jelly closet now, Next for fresh fruit and berry flavors, you will be thankful many times over that you stocked up with these jams and jellies: : Red Raspberry and Currant Jelly 43% cups (2% Ibs.) juice 7 cups (3 lbs.) sugar 14 bottle fruit: pectin To prepare juice, ¢rush thoroughly about 1% pounds fully ripe cur- rants. 'Add % cup water, bring to a boil, and simmer, covered, for 10 minutes. Crush' thoroughly 1% quarts fully ripe raspberries. Com- bine fruits. Place fruits in jelly cloth or bag and squeeze out juice. Measure sugar and juice into 'large saucepan; mix. Bring to a boil over hottest fire and at once add bottled fruit pectin, stirring constantly. The bring to a full rolling boil and boil hard 14 minute. Remove from fire, skim, pour quickly. Paraffin at once. Makes about 11 glasses (6 fluid ounces each). Spiced Blueberry Jam . 4% cups (2% lbs.) prepared fruit 7 cups (3 lbs) sugar 1 bottle fruit pectin ; To prepare fruit, crush or grind about 2 pounds fully ripe blueber- ries. Add 1 teaspoon each cinnamon, cloves, and all-spice or any desired combination of spices. Measure sugar and prépared fruit 'into large kettle, mix well, and bring to a full rolling boil over hottest fire. Stir constantly before and while boiling. Boil hard 1 minute, Remove from fire and stir in bottled fruit pectin, Skim; pour quickly. Paraffin hot jam at once. Makes about 12 'glasses (6 fluid ounces each). to | M. Robinson, a Surrey, England motorist, is displaying a gadget, which cught to prove helpful to careful and abused motorists, It is ° an exposed speedometer, fitted to the front of his car. The instrument has three faces and shows the speed of the car at all timo: winter, when hungry palates yearn' Blackberry Jam 4 cups (2 lbs.) prepared fruit 7 cups (3 lbs.) sugar 38 bottle fruit pectin To prepare fruit, grind about 2] quarts fully ripe berries or crush completely one layer at a time so that each berry is reduced to a pulp. Measure sugar and prepared fruit into large kettle, mix well, bring to a full rolling boil"over hot: test fire. Stir constantly before and while boiling. Boil hard '8 minutes. Remove from fire and stir in bot- tled fruit pectin. Then stir and skim by turns f6r just 5 minutes and cool slightly tq prevent floating fruit. Pour quickly, Parafin hot jam at once. Makes about 10 glasses (6 fluid ounces each). * 5 3 HOUSEHOLD HINTS - Add Lemon Juice Before frying the fish, try adding a tablespoonful of lemon_ juice to the egg in which the fish is ta be dipped. It imparts & delicious flavor, To Clean Coral Beads To clean coral beads, dip them in and out of a pint of lukewarm water into which a teaspoonful 'of borax has been dissolved. Rinse in clear water. Sewing Silk ; When sewing silk on the sewing machine, pin a Turkish towel over the end of Lhe table on the machiae and it will prevent the silk material from slipping. B ~ Removing Mattress Stains A stain on the mattress can usual- ly be removed by applying. a paste of raw starch water--~After the paste: has dried thoroughly, brush it 'off with a stiff brush. Boiled Eggs The dark ring often seen around 'the yolk of a hard boiled egg can be prevented if the egg is boiled no longer than fifteen minutes and then placed in cold water. De-Stoning an Olive To "turn" or remove the stone from an olive use a small, sharp knife and, commencing at the stem end, peel round and round until the stone comes away, leaving the olive a rounded strip that can easily be fitted together. iL "I have never met a successful man who. isn't wrapped up in his work simply for the sake of the work, simply because he loves it."-- Rudy Vallee. : "War may be hell, but its after- math is one long and glorious Old Boys' Dinner."--A. A. Milne. 39 afte | Sunday School Lesson TIMOTHY ( A CHRISTIAN WORK. ER IN TRAINING). -- 2 Timothy, Chapter 1. GOLDEN EXT. -- Give diligence. to present thyself approv. ed unto' God, a workman that need. eth not to be ashamed, handling aright the word of truth. ...2 Tim. 2:15. THE LESSON IN ITS SETTING TIME, The second Epistle to imothy was the last letter that Paul wrote, probably 66 A.D. PLACE. -- Timothy, at this time, it is supposed, was in the city of Ephesus. ' "Paul, an apostle of Christ Jesus through .the will of God" Tae second Epistle to Timothy js the last letter 'that Paul wrote, n; far as our know- wlge goes, and it is in many ways "lhe tenderest of al his Epistles, "To Timothy, my beloved child: Grace, mercy, peace, from God the 'ather and Christ our Lord." The first mention of Timothy,; the friend for whom St. Paul's personal prefer- ence was the greatest (J. S. How- son), was near the beginning ot Paul's second miszionary. journey, about A.D. 61, when Paul: was travel- ling through Asia Minor. "I thank God, whom 1 serve from my forefathers in a pure conscience, how unceasing is my remembrance of thee in my supplications, night membering thy tears, that 1 may be filled with joy." As the cheerless days in the deep prizon close and the night; as he sits thinking, alone or with. Luke, "when the pale light shines again; he is continually tell- ing the Lord about Timothy, and asking for mercy and cheer and the drying of a tear, that Paul may see him once again to the perfect joy ot his aging and yearning heart. With 'that instinct of .retrospect which is frequently so strong in dying men, he reaches back to his "fathers" and feels their spiritual oneness with himse!f before their God. Thus, thinking of his 'fathers,' he expresses now a yet tenderer affection towards his 'dear child.' "Having been reminded of the un- feigned faith that is in thee; which dwelt first "in thy grandmother Lolz, and thy mother Eunice; and, I am persuaded, in thee also." Timothy, like the writer, hag a family religlon behind him, This does not necessar- ily imply that Lois and Eunice had become Christians, though it. is prob- able. The language might have been used by St. Paul of religious Jew. esses, who had trained the young Timothy in the Jewish expectations of a Messiah (cf. 3 : 15). "For which I put theg¢ in rememb- and day. 4. Longing to see thee, re. 'open upon him; as de les waking in | erdnce*' The older man felt himself a prateetor; the younger clung to his A suport, 'Paul - vealized that "he: had adopted this. youtli, become .sponsor for him in the eyes of heaven, - "That thow stir'up the gift of God; whwich is in-thee through the laying on of my hands." The late Prof. Ar. thur 8. Way translates this phrase, 'and for this reason 1 do now remind you to kindle into a brighter flame the graciow; gift of God. ted "For God gave us not a spirit of fearfulness; but of power and love and discipline." The noun here trans. lated #'fearfulness" is used only here, lig" verb in John 147: 27; the adjec- tive in Matt. 8 : 26; Mark 4 40; Rev, 21 : 8, It means the drawing back from some'hing to which God has truly called us; the refusal, fit may be under-the pretext of humility, to undertake a task or re ponsibility which 4s clearly our duty tp under. take, » "Be not ashamed therefore ot the testimony of our Lord," For, in be- half of, the Cross, the Cross of Christ recalling the very words of Christ, when he first declared 'the Cross,' 'whoscever shall be gshamed of me,' "Nor of me his pri oner." He is a prisoner; fie is also 'in Christ' Eph, 4 : 1), The expression also suggests the thought that his earthly impris. onment is ordered by the Lord, not by man. - ~. "But suffer hardship with the gos- pel according to the power of God." That {s true nat in any natural forti- tude, but draw on that divine strength which has been given you, "Who saved us, and ca'led us with a holy calling." That is, he" called us to holiness. "Not eccording to our works, but according to his own purpose and grace." He places beneath Timothy the eternal arms of God Almighty. "Wich was given us in Christ Jesus before times; eternal." Literally, before the ages of time, as in Titus 1: 2; Rom. 16 : 25. . 5 "But hath now been manitested." The word here translated manifest. ed means to make visible, to make known, thus of Christ coming out of Galilee (John 7 : 4), of Christ mani. festing himself after his resurrection (John 21 : 1), of Chrirt manifesting himself at his first Advent (1 Tim. 3 : 16; Heb. 9 : 26; 1 John 3 : 2), "By the appearing of our Saviour Jesus Christ," This is a slightly dif- ferent word from the preceding-and from it comes our word epiphany. The original means primarily," "to bring light." i "Who abolished death." The word here translated abolished means "to render idle, inactive, inoperative, to deprive of strength," and is used in reference to death also in 1 Cor. 15 26, "Christ abolished death' by in. troducing us to spiritual lite, so that physical death is no longer a penalty, but is henceforth 'but the gate of life immortal' (John 11 : 26). . "And brought life and immortality to light thuovgh the gospel." The gospel first gave to a future world clearness and distinctness, shape and outline; the gospel first made it a positive district and region on "which the spirit really reposes, and which stretches out on the other side the grave with the same solidity and ex- tension with which the present world does on this side of it. "Whereunto I was appointed a preacher, and an apostle, and a teach. er, Cf. 1 Tim. 2 : 7; Gal. 2 : 9, "For which cause [ suffer also the:e things; yet I am not ashamed." Cf. v. 8 and Rom. 1 16. The suf- fering which he was enduring, was, of course, his impris mment at Rome with the near prospect of death. "For I know him whom [ have be- lieved, and I am persuaded that he is, able to guard that which I have committed unto him against that day." The word here translated "com- mitted always implies the situation of one who has to take a long journ- ey and who deposits his money and other valuables with a friend, trust. ing him to restore it on his return. The committing is always that of the depositor; the duty of the friend is to guard. er "Hold the pattern of sound words. The word translated "pattern" here means "outline." = "Which thou has heard from me, in faith and love which Is in Christ Je-us." Dogma, as such, often cre- ates prejudice; but the remedy is not to do away with dogma, but to hold it in' faith, i.e, personal surrender and Christian love. ' x Ms j i Fins _ . Boston--8kill he learned mother's knee in "Noga Séofia years ago wow the knitting title John F, Cann, *° Le SRR men at the -knittihg and contest 'here last. week, He arrived ]ate--as a matter of fact the contest was half finished-- but his 'dexterity: with the lcng white needles won him a prize of a dozen skeins of yarn at the end of tha race. 3 : d John paused long enough "during spinning United States flag to explain that he was taught to knit in Yarmouth, N.S., when he was a lad of three. "Someone had to help mother out," he explained, "because I had five other brothers who were very hard on thelr knitted stockings. "I've knitted ever since, and 1 find it helpful in supporiing my invalid wife in New Hampshire, "No thoroughly occupied man was ever yet miserable."--Landor. Strong, pure and lFappy thoughts However deceitful tiope may yet she carries us on pleasantly the end of life.--La Rochefoucauld, be, to "That good thing which was com- mitted unto thee guard." The thought of his own deposit with God suggests that depgsit which Christ has left 1 ©utknits 100 Women ab : at his) x rE A "Acoustic Design" Applied -John outknitted 10 pérspiring wo- his operations on a red stripe of the! build up the body in vigor and-grace.' - ng aan ' xX: T ; "2 To The Art Of Moving er 3 Filly ox vor ---- Some two years ago Rudolf Pfef. fuiger of Munich - produced the ne. c¢essary music for a tound film not by playing and "recording" it" but by drawiug it on paper wih a pen and brush and then transferring it pho- tographicaily to the sound track of a film, Here was abstract music, it efer there was anything abstract, Undeterred by the fact that the musiclans who heard some of Pfef. foinger's hand.drawn music thought it sounded like bad broadcasting rena dered audible by the wor.t of obso- lete loud-speakers, the Russians are captivated by the idea. Halt a dozen scientists are experimenting in So- viet laboratories and producing Syn. thetic music (usually well-known melodies) for motion picture car- toons, Photograph Pil Tones That a musical. tone can be photo- graphed every high-school student of physics known, Jagged peaks aid valleys.appear on most pictures, Do, re, mi, fa as played on the piano lcok on a photograph like a saw or a comb, It takes more patience than skill to copy the teeth on paper, re. photograph the copy on a sound track and thus make a record, which when played sounds like the original melo. y. with him, a far more precious and ideal thing. "Through the Holy Spirit which dwelleth in u:." God must cooperate with man if man's efforis are to be successful, Daughter "Suited"? For School tt PRIS I Lom yet aero tame ie tag tamlmtm pd tuba bmanr * 1=t==). yer bm bt JOY I RYT Daughter is never too young to be smart, just so long as she is also suitably clad. ' Here's a darling little dro.s ot wooly cotton weave, that just 'pretends' a blouse and skirt, It has a cute "boy" collar. And the - wee jacket doesn't hide it either, for it's collarless on purpose, The wooly novelty crepes in plaids or checks, so smart, are also charming for it. : Style No. 2973 is de igned for sizes 8, 10, 12 and 14 years. Size 12 requires 31/8 yards of 39.inch material with 11/8 yards of 35. inch contrasting and % yard of 1.inch for neck bow. HOW TO ORDER PATTERNS Write your name and address plainly, giving number and size. of pattern wanted. Iinclose 15¢ in stamps or coin (corn prefer- red; 'wrap it carefully), and ad- dress your order to Wilson Pat- tern Service, 73 West 'Adelaide Street, Toronto. FU MANCHU By Sax Rohmer THE SEVERED FINGER--Too Late? those records, tool Pos 1 1 # Ww outh handed Nayland Smith Cadby's oye ond ard ar the detective's address, after telling us where to find Cadby's case-book. second to waste, Petrie," Smith said, "Fu Manchu wants "We haven't a Vie # But we had ridden only a fow ng H oo Wapping High Street m | "Stopl Stopl" He seized the door-handle as sowed down. "We must have it, Petiie," he cried. ,: have loft it behind. . ° Smith called to the hundred yards along driver: the cab d argued, It's a already, but there is just Cadby's cate-book, with its damning evidence, was it already in Fu Manchu's hands? "Do you think Fu Manchu is going to leave dynamite like that Ign around?" Smith thousand to ¢ 41 o has the book a bare chance ... ." -- ~~ (se AR EL 8 La v I 1 Aran Ae : 'ture over and Every musical 'tone consists of a fundamental and overtones or har. monies, The fundamentals of all tones are alike, but the overtones differ, It is the difference that ac- counts for the characteristic timbre of violin, plano, horn, flute and other instruments. By drawing ay picture of a comb and giving the teeth fanciful shapes it is obviously - possible to obtain something which, when photographed 'and played, may ~or may not sound like anything ever heard in heaven or on earth. Sing'e notes or a few bars of a song can be synthe:ized by this method. But when it comes to fast, complex melodies, like the allegro of a symphony, it is evident that the mus'cal "draftsman has his hands full. Pfenninger mapaged to make something of the broad, sim. ple melody of Handel's familiar Lar- 80, but seems not ty have attempted anything more ambitiou-. If this method of synthesizing musle has any merit at a'l, it is clear that it must be simplified and me- ohanfzed, so that the labor of puta ting it down in black and white is not too ardous and costly. The Rus- sfans think so, too. There is N. Voinov of Mo cow, to} D example. He has been building u a library of niusical cut-outs, Be- ginning with the piano, he drew a set of eighty semitones, These he can photograph in various combina. tions, If he wants a given long nete, he simply reproduces its pic- over again. By this method and by arranging the avail. able notes in the proper order he made a recognizable three-minute sound film of Rachmaninolt's much. played C sharp minor prelude and of tye "White Monkey" fox trot. 'Labor.Saving Device But E. Sholpo of Leningrad finds this still too complicated and tedi- ous. He cuts out geometric pat. terns in a disk, whirls the disk as he projects their images on a screen, Behold! Jagged cemb or saw teeth, which, when photographed on a film, can be converted into musical sounds, This gaves a tremendous amount of tedious drawing. Play a Sousa march on the pliono. graph at one speed of revo'ution and the notes well out at a certain pitch. Increase the speed and the march is played not only faster but at a high. er pitch. Sp when Sholpo wants to make notes shriller he simply spias the disk faster, On the other hand, slower speeds give him lower notes, With svoh disks he managed to piece together photographs of images which, on the soundtrack of film, played the largo of Dvorak's "New World Symphony" and the hackneyed Toreador's song = from the opera "Carmen." m= It may be that in what the Rus. gians call "acoustic design" we have "the beginning of a new art which supplements that of the animated cartoons, It {8 not likely that the richness of a Beethoven symphony or of a Wagnerian opera can ever be put down in black and white gaw-tooth silhouettes, On the other hand it may be possible to creato just the bizarre effects which a Walt Disney may want and which may lie beyond the scope of any instrument --aven of the versatile electron tube, "It is man himself who judges his own conduct and awards punish- ment in the form of remorse or re- ward in the form of inward peace." - ---J. S. Haldane. ow 0 be easily master of oneself in every situation is a fundamental re- quirément of every great lady or gentleman." --Emily Post. If a man had his essential -gar- ments depending on the fragile straps the women do theirs, he would get nervous prostration worrying about &ome woul, [ --t Ant re il