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_ PHONE WESTON 1027 Eagle House Corner Philosophy and Relativity. The late Chauncey M. Depew used to poke a good deal of fun at philoâ€" sophy, relativity and other highâ€"brow subjects. _ _ "Philosonhy,;" he once said, "has f Bsan‘ o d De s uoimcuoe fna ie se ,\ es "' 'b""‘v’@'-"“‘?:?l'*““ “:’:’/‘":"“.=15.'?v’3-“f".:-3153»‘ mss Rretctriy & &‘:'"4..7.:’-.5‘-'@?5"5‘;‘;{,;':71}‘»‘,'":-‘fr-;é‘;w"""»‘f':-.-'â€"».::'-:'*’t ppangs: k 5C PAE 01-,-«‘*«» "“r:.:>.'..“.-,~*:tâ€":§-ffsN».n;_::,_ 3 t css "9 +,* Ad yoike e uic iss t ; s & tss mea‘ ~0<;\‘ . s ase" M , j es / P AA ols ks stt ASWe o l . Hay @ 9‘#â€"";-’15;1.»';:_1‘,;:.;;}'.“{:-:= sA Bs 2 e ons Mooe mc ks fmunragms Q. 0 â€"< .0--.9‘0?5» _;“L".t‘_; fig“ ns jescs oteye o 3 }"12"“‘:“1‘?»";;’7"*@ x Koi iaian h L2ue es esd ’-:'z"a‘.?'i-:;,t'isaii.-‘w‘.?t’;v'::'fi-"rfl?l':iéfl“-.v ratg hodurragmen & » . Cc l ht 3 Ylavh ies 13 $ ols 4 ”“”'.‘.-‘,},{‘Eifif mipesmrrex: end C P sA ooo ic o h melolke j ue W ~':".>~.<-'V‘_‘r§‘;¢3’r\’{~ z"'*?fiii;“.’?,@â€"‘.}i&m onl “"i""’:,“"‘ ols \ OA OA Pn P .5‘-‘7-5:'{\’.'3'-':".‘;- ul dn o s 4 ( es uy "‘"%h‘â€"wez ~"~me sc o To Cothertnein ¢ C354 %.%, \Gy . \ARHeS dsc Moeae Pm ‘ j p t ds '%‘\'xffi"-,{i*’-‘;{f-".;fi«‘â€"wâ€" A ENoiA ‘3«'5‘;@'.-?;’:'” on (apics o rond S '.‘ib"ii‘. k Mst ols ce eP oc BP ons -'-v:«‘f'â€"‘:,:mi%@fi t hk -f’aéâ€"éi'\";?:";f“-"?@‘.‘f‘*' usn adnd ner F s Asmes e es Rer en Apreceh s A 3 ns ds e eal CXE o aret dn fln â€" Ck . uo ’ e st ied £ e mesusteccnd oA ols es cas P 2 v-‘z,-éc-“a‘ hests s asy HLW/\-‘< ce a en mt on ° (Ad 0.’;@’. & Aums is wonen s c 2 oys h J i8 Chtse 5 t D ie s CA ols £ T P t wC «mt ce ca? e y M s & es aocd ( cssy "-»;“‘-'7‘-1;‘5»-554"?5’..\"7' \P inatarcnyo » *Az A -"i~:-’>‘efi:;s';'\:',z‘};:;fi;.:.s:'.‘:.:.( aal. . " > Y t se C rpcay ssey â€" > â€"-'--â€""%-f"“ B s fimt O Cw BP h P ons ons i feued s hx +5 "H*";;';'1".2:*."!':5\:51‘.’%}' e imcp se ied v---,b.‘-;x.»,QjJ;» m w sls al To de We °C tlects “\.,; SNpSoe des fls HA ,:’b;w;.â€";::- is h a MNabre T8 NsR ENN reammere aonnh 3 Ts muge esd â€"â€" Xise. ue mss a a e h se K aecsootne oAz 2. y M ies ety *\\,:}‘ s uce D &5 3 io o Fott t Luvet ARiTH TA ppeiarreany. : d S d “;\.{;; j feSau NS 6 Mrrie gt im (C2 . pats nlee hos Roae ?,5-‘0,,’;.3‘, t Hariigl? arak Sn 6x eual ia. e ym C p) .4 e s e /’t;%;? Eiess mt nommenttesy d (osn es * yoa Mb ca oc tas 0 Lt . : ces oE tharoprne es hoi g.. o5 m & n alale 1 7 t ies pordums n car :"vrzr-,;v"::t‘}?::_as\fiii-;\:»a-nr.iix% o is e Sm es sacote oo ap ta orscs mepremvess M kess ---‘-3y»;&~fi:>..g,;.--'â€"=':.=, fomratcer ; hosi chial s Cns Cma B hm 4efi Hain. on comimnen )\"Q ceemd §r h t uy Wwiy b ces mss a ombanced Mefpame onl iooace s ons @n ce e cce Adie hg 19 it :.;'â€""_«,.:..f:?{.» faanrcompraprs e eness pay e poe lams 45 e o o us es ivicaficommnpemmsicni mameapcen cmmnemmen in uneciar "‘fi\ m e ns Fpuine : 3,‘? omommens mrmirersms § Mess ce NP y eX oomsee mm B e ie â€" MMSved ol e Lt tom rmmpome ;.;:T.,]";., esn en * s ewdts ,&:’ unc irrramammamr m o ‘-‘~:,f‘~:;~'3‘-",\\-":_;:;-_|!’;’;"z"} cmmreyr i WEDNESDAY, OCT. 2, 1929 GREAT SALE or PHONOGRAPHS We have also a number of Battery and the wonderful values we are offering in known makes, some as low in price as YOU CAN‘T AFFORD TO WAIT:!! COME AT ONCE!!! WHEN WE SAY IT‘S A BARCGCAIN WE MEAN ITH! 2949 DUNDAS ST. WEST Opp. Beaver Theatre PHONE JU. 7921 During the past few weeks we have taken in a number of instruments in exchange for Radios and Orthophonic Victrolas. Many well known makes are represented such as VICTOR, COLUMBIA, EDISON, AEOLIANâ€"VOCALION, SONORA, McLAGAN and every instrument is a Cabinet Model, many of which sold originally as high as $300.00. In order to make room for other stock, we have decided to sell these phonograhps at the ridiculously low price of § PEARSON MOTORS WILLY‘Sâ€"KNIGHT AND WHIPPET DEALER been likened to a blind man searchâ€" ing in a dark room in the night for a black hat that isn‘t there. "But relativity: "Relativity is like the dialogue of Pat and Mike. Every Guaranteed. One THE ELLIOTT MUSIC STORES Only Instrument Price A Complete Stock of Victor Records Always in Stock says Mike. ""No, ~sayse‘Fat. «Well, now, there‘s a certain thing I don‘t know, and I know it. Then don‘t I know what I don‘t know ?‘ * ‘Can I know what I don‘t know This price sounds too good to be true, but yow will be still more amazed when you see the quality of the Phonographs, which we are GIVING AWAY at this Price. Batteryless Radios which we» have taken in on other models Come early and see FADA, ATWATER KENT, SERENADER, DEFOREST CROSLEY and other wellâ€" $15.00, complete with Speaker. . . JUNCTION 8703 Weston f i aspnons . ' -"‘_" \ fR m i $ ~ h : : olsn e k oR 5 6 e es > THE WESTON TIMES & GUTDE 99 It chanced that tne president..of the company was returing to his ofâ€" fice from a visit to one of the stages. This was the man ‘whose name was famous about the woria. Every film from his factory labeled: "Bermond presentsâ€""; "Copyright by the Berâ€" mond Company." "This is a Bermond picture." The slogan of the company was, "This is a Bermond year.‘">;, (Continued from Page Four) decency by the way of common sense Mem‘s eyes were fililng with rainâ€" bows. _ A bystander «drew Bermond aside. It was Claymore, a dramatist who had had a few successes before he established himself in the moving pictures as a director. § When Mr. Bermond heard Mem ery= ing his heart hurt him. He did not like scandal, disoredr, â€"confusion, or grief on his lot. & ic afcure He went to Mem and tried to ‘conâ€" sole her. He: took her hands down from her contorted face and forced her to look at him. Seen throughâ€"the cascades of her tears she was strik ingly attractive, appealing. 5 ~ "Sarah Bernhardt failed in her first play, you know, and you may be~a second Sarah some day," he said. "Just you wait!" :.;._ £ "That girl has the tear," he said given me for my next picture is awâ€" to Bermond. "That. woman you‘ve ful. Let me take this kid and give her a real test. She might have just what we want." Claymore marched her into /the sceene andâ€"gave her 4 little of whathe Claymore was waiting for her when she came from the women‘s dressing rooms. She was daubed, smeared, ‘linâ€" ed, powdered, rouged, mascaroed, and. generally calcimined for duty. _ Her heart was beating in alternate throbs of fear and frenzy. Her feet were at the brink of the Rubicon. Yss Claymore had provided a camera man, a few men‘ to handle the éleeâ€" tric lights, a property man, and eyei a pair of musicial§â€"a violinist‘ an?f the treader of a wheezy little portable, melodeon. _ SX f "Sure! Fine! Go to, it‘ said Betâ€" mond, and. hastened to Mem with the good news that Mr. Claymoreâ€"the great Mr. Claymoreâ€" was going to, give her a chance! â€" 5 _ The next morning found Mem at the studio betimes, borrowing â€"mascaro and advice from Miss Calder. hral "Souls For Sale" // f’:"”"- pl""fl "Z/ m 7 Mc Surao _.{_; A ~ s‘ news 7 P# ’/”"/?””}y ta 7///;,{/%,,,..,/,3’/’ y L _ [( 3 n > e _ L #f / h. . â€"6 w (a # ////’4'55/7 Y â€" [ ~[Jp Lesy © ZZ /4 4 bolp \ YÂ¥ . " on 22 ‘/.‘J"'."/' K ‘CC, Q’ Y pat ~»'{- c A‘v ,//./(/ ”//t;""/"*zfu")zflzée“ # ‘4 C B } 6 ,fi:,,.,.;\- i 3 E PA P Py _ es A e No h Ode C / n goyX~ t s ATsA F2 (o \choe? ;‘"i-’fi/-i"'lr j/r'//é*"*’f'* ‘W x 8 ty â€" 2 4P 3 pes .f\%fi 2y io //"/f Aa s w uy Y E. foy H xt e Z7 Whe C "?“ M C § > cegrst ~-»ts‘_;'v:>‘."3?“-_'-i_r,:-';-, unsP T y SW ... _ & oo AF S y C3 m 25ee Â¥i__ ! $ 4 \L uc ta| s th Tyva < ANOV : # U ay â€" es 2 & / ): M Py u@\-fi»j ‘ Phle ce "fi?«‘i&*r";fi yS C MA ‘f‘-\,‘.\q,'%.«; $0 Â¥oâ€"z: ‘ # [ T‘ pay th price I‘ll do anything 6 is Sle s ce ts # 9t Nt e e at x t cayâ€"" EBP ap 4 : Ne ooo APAC: 4 \ ? Meacy e i e danmen Rarivgati Pae \ s k 3 dn ASyre â€"Wase f Cc Nesn 1 B Coun m es "Go back to that door and come forward to this spot. Shake hands withâ€"erâ€"with your loverâ€"erâ€"Well â€"no. Let me see. That‘s too simple. Let‘s get down to business. called footwork «©You‘ve aâ€" Ohâ€"well, just for inâ€" stance, you‘ve beenâ€"erâ€"betrayed and your child has died and you‘ve been accused of murdering it and you‘re now being called before the judge and the jury. Do you get me? You‘re comâ€" ing into a courtroom under a charge of crime; you feel your shame, but you‘re innocent of the charge, yet you‘re overwhelmedâ€"with guilt for your fall, and the father of the child isâ€"was killed in the war, sayâ€"and you don‘t much care whether you live or die; so you‘re in despair, yet deâ€" fiant. That‘s a triple layer of emotion for you and I don‘t suppose you can get much of it over, butâ€"just try to give the atmosphere of it. Now back to the door. Walk through it once." _ In a kind of stupor Mem obeyed his commands like the trained confederâ€" ate of a hypnotist. She went to the door, came in réluctant, shamefast, ‘Jdoomed. She advanced slowly till she reached the edge of the rug he had y‘indica’ced, then halted, and with a fierce effort hoisted her head in deâ€" fiance and braved the lightning of the idge.. . C / «* s Claymore was as much embarrasâ€" sed as Mem, for his invention was not in its best working order so early in the morning. He felt as silly as a man badgered by a peevish child to tell a story. But his true plot stirred Mem amâ€" azingly. He could not know how close his random shots had come home to her and flung her back from the forâ€" wardâ€"looking artist to the lorn fugiâ€" tive who had stumbled into California laden with disgrace. _ SI She was all atremble and her eyes darted, her. fingers twitched. Clayâ€" more marveled at her instantaneous She started back, but was checked by the camera man‘s "Wait, please!" He ran forward and shouted direcâ€" His first impression of Mem was that he had found a genius, and he fought against the obstacles he enâ€" countered later with the zest of a man digging toward known gold. _ hi response to his suggestion. There were born artists who shivered on the least breath of inspiration and sugâ€" gsestion. _ She heard Claymore call "That‘s fine! Now we‘ll take you : roups m se Nesn de ids P . " hi amferas e L Cup omm n s . n rooomin uontoen esmm m ie Cl ce e aeaciicoul ts 19 esnz zs Bs pooorrn nc oa e ce e ie ie y & inge "?‘2‘%‘ peppproant oE Ns o. o O on aanet o en / San > n i bea en "3‘%:“"'}“'%“"{:i'-'"‘};'/"‘“”é"y"f;""{"fi‘v;â€""‘Q‘i‘fii"\s ie CS M mohnts hests datl *}g‘i’gfi{g}fi ce oelal d e c s T uies t hane. t oo t Nes en e m oc l in > Pon ho soa ho c s o ut * fed oo asa eficc. cessn aes 33. aa.s 2 ip. es s3 Cl <Â¥A ty ols 14 o uo Calntltsil M mE uinenan uat mmb e sc Mess 4 ie i ty aresuan § oorcth Werete i fema ol ta t en hh se onl de n mmnacen if ol b "a. t uon Puje ; Marara ts f s D yc s h. Pss Miamimntad is e is ah 9 s oa P on ' (embn $ whes Aoa n n uy o hn ( uns Eol 2 oo n M t t3 f heclty ols Eces T â€" B WAGe s h S 2 Po areulnnts '..‘(;n‘,,-,fll as m l e ho es Msveao hm tsA NtR ; o ) (eige Nee > 2 Pss o t # _# s ol 5 Setd CaP Haamiish 5 mommmeen esc s e Te imA e s n i ic e es ie s C Soneone ons uo ie tate 2nt ftnisie e se y‘ Ches on (ammemeams tC coommmpnth â€" ic doat‘e ecterronbnnn s WE Nomoomoneynracnencmnn s o. t t I say You can t refu: to her: it 1" tions on all sides for lights. "Hit those spots! Throw the ash can on her. Bring un that Kliegl. Put a diffuser on tnat Winfield. What‘s the matter with the second spot?> Your To some folk a Hat is just a covering for the head. To others it is a vital element of correct attireâ€"â€" a creation of brim and erown, color and shapeâ€" something to select with care. It is to men who krlow Hats and Hat Styles that we especially reâ€" commend this excellent group of autumn head gear. Main St. North A Biltmore And Get First $3.50 and $5.50 Earl Stevenson Don‘t Delay ! Come Early For the Man Who Has Style Sight Choice. MEN‘S WEAR STORE th WESTON 2284 BLOORST. W. carbons are flickering. Mike! Mike! Trim those carvons on the second spot! Pull ‘emt‘ _‘ _ ols Near Durie St. PHONE LY. 5223 Continued Next Week Hat Phone 560 PAGE FIVE