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u-WAruaumcumlazoWednem. amazon (h ,,,’.$7‘â€"‘< A ‘ , my“: _, ‘ "_ ‘ ' . . . "GE- , SHOES font Grand Phil performs St. Iohn Passron *’ J ' A, ' _ v; a The Grand Philharmonic filling both roies.‘ he said. souyit-after performers ,. ' ' ' " ' ' ‘ Choir presents LS‘ Bach's St. The internationally Muller and the choir will ' ' \ ‘ ' John Passion play as part of acclaimed tenor,. Rufus be joined by soloists Agnes ' , 4 J its annual Good Friday per- Milfler, plays the role of the Zsigovics. soprano; Vicki St. formance at the Centre in the Evangelist. tellingthe story of Pierre, mezzo-soprano; -\.‘-' i a ' Square. April 2. 7:30 pm. Jesus Christ‘s betrayal. anest James McLennan, tenor; 4 .. ' a The K-W Symphony andcmdfixion. Nathaniel Watson, baritone » ' a orchestra joins the choir Mfiller has a stellar inter- and the role of Jesus; and L again in Bach's most dramat- national reputation. both in Daniel Lichti, bass-baritone A ic telling of the Passion story opera and oratorio and the roie of Pilate. ; l? ,according to the choir's He was recently Be drawn into Miiller’s i 'â€"~â€" ' . a S artistic director and oonduc- acclaimed by the New York uniquely dramatic portrayal. I q E; tor,MarkVuorinen. Times as “easily the best which the London Sunday ‘ . ' (1; it is a long-standing tradi- tenor I have ever heard in a independent has described { T: j ’ ,: tion for the choir to present a live Messiah” as “superb in its animated E A A Bach masterwork on Good , lyricism." ‘ I Friday as an opportunity for u - Be moved as the choir ' ‘ ’ at, _,. Q E _ Jr the audienoeto reflect on the The engulsh Of moves between the roles of A201] SMSON PASS mu . storyofiesusfltrist’s betray- Peters demaIls angry mob and Roman soi- _ . ~ A ’ ' ‘ - ~ â€" - al.anestandcrucifixion. - - diets to the reflective. grace- “ ‘ ’ a , y . ., ‘ . (jg? 2°” “The listener is immedi- made P1803? at m fui Lutheran chorales that Go to WW 8 _ a; y . ' , “W A u ’ 7" if? ately brought into the scene Backs telhng," represent generations of ' ‘ ~. ~ ». ‘ . sitar . . w , ' ' ’ ’ as the narrative unfolds worshippers new sad“ and on,“ .‘ Q 5 fie :‘ ‘ - " w! through Bach's eyes,” said . ‘mw‘oflm Under the baton ofVuori- Penn must be m- - “a“. ”if; Vuorinen. “The anguish of D‘mwwm?" a?" nen, the choir‘s artistic direc- : * Peter’s denial is made viscer- WM‘W" aw" tor and conductor. this will r r ,. 3 al in Bach's telling the cho- be an unforgettable perform- _.'£i;“ ”u“ ,‘ _ t a , rustakeson theshoutsofthe Millieralsogavetheworid ance on one of the holiest , , 1 - » T -- chief priests. Roman soldiers premiere of Jonathan Miller’s days of the year. ‘ ' "Q4 andrhecrowd." production of the St. For tickets. call the box a , , ‘ ' »_ _ _.‘ But just as the choir plays Matthew Passion. which was ofice at 519-578-1570 or visit , - .- e , 9» ' “513-55, the various roles of the Pas- recorded and broadcast on www.centreâ€"square.com. ' ‘ ‘ ' !' '-. 1 '. ‘. ’- fig “' “ sion participants, it also BBC'IV. Hisunique dramatic Tickets are $20 to $65, 47 - A r _, , it ’ in . . 45 g steps back to offer what portrayal of the role of the with discounts for seniors, ‘ 34,1 "4, ' ‘ . >. , l ‘ ' ~ ‘ ,‘ , :‘ . . , “ ffiflfq 2,7 ‘~ Vuorinen describes as poetic Evangelist. who is the narra- children, people under-30 _ ‘ V = ‘ ‘ ’ ‘ ' .y~-,,1“vvr“‘* reflection throu the beau- tor in both the Bach St. and $5 forhi school stu- ' WW I » as ea ‘ ‘ Afi‘. ° ' : ' g b ' 4 a fir ‘w tiful heri e of the German Matthew Passion and the St. dents. ‘ fl. no r 1 a - > t a ‘ " 7 tag i "a? 3‘- - ' ». wm’fi'n’?” J 3; j a ‘ “any." ‘ Chorale “it is a profound jux- lohn Passion. has made him For more information 30 F a-‘f‘? , T '" ‘ ’ -~ -..'»°,-_" ’ ' ia;a&,'-'.,-. of W Empt- ’ - tapositiontohavethechorus one of the world's most towwwgr‘andphilchoimom. . it? ~. - ”v k .A “Kr; h . fligé‘ thizjxflw A P4;¢~%§§'§?’~*Â¥$Mgngii rt gig-Ev“, Ev ~ , - , ,_ ,. _ , <3; ; - a» A a Grand PhrlharmomcéChorrfam- in T 7 Q ‘N . i214,â€" ‘ Mb}? ' e g ' e e i e / e' v 7 $53 _ a; - _ 4 _, Mark Vuonrren, artistic directorgand conductors; . , 11, = W‘s»: . {1 . . A ,.1‘ »-,t in r. _ ‘ 4 . . s~ as; =~_ , t, With the Kitchener-Waterloo Symphony , .- . a \ 7". , ¢ , . “my ”3.3; if ‘ _ ‘ . y L ‘5 ‘ “if 5’ " ' " ‘ - ‘* ‘ 4 a ., , ¥§§§$§§i¢Jf is a: 7: 4s A .~ ‘ { bu _s My,” “it,” _ _A, A», v.) if ,â€" ,A . x- 43, ,_ 635” ”fist; ”A 1.3 ” fig.4§_ «A. A? ' ‘ t ‘ \ \ \ » r ' 14313 3“ 46427: ' ‘fâ€"k‘ifjtrii ”i ~:;'""“ “~:f~ff':mi?::-Ai’t§! ;- V's,“ . f ' t. ‘ 1me 4 a; ' , a "-- A ‘ , Y A -‘ - ‘ a A t 441». » {s a "‘- A 3; ‘ - - ~ ‘ “ ;; 45,4.43? is .; . ' t ’ ' A " 7 ' "a" ”v," 1“: A "17- “exi’f‘l . a; , lFfldewApril 22,- 2011, 47:30pm 44 a" '. ' ‘\ ' - ‘ “ i ' "‘ A ’ "‘* “‘“"“'“‘""f3~ “W““44W“‘fi‘rfffiéfiii’”fl? '\ t - a » 4 fl Centre In The Square, Kitchener 4 ’ , 4 ,. t , « i . f A» ~ ~ - a first“ 4, , » ”it? ‘ A ff:="".*-~TAA‘* "’ ,~ , ‘ t. n Q ~ ‘ , -. ~~_ ~ 1, .. , famsmmm 41:42“ -: 1 x: . v < t ‘A T b A ’ ‘ . \ ’ Q Q its ‘ , . . a, an" a w - . I ‘ ‘p‘ i " ' " M ”if d V 5:3; _ .. , “S. ‘ 1 \:l -, ' é 5g ii I _ - f“ \ . :' ' at; * if I r ‘ Si ' f fi-ff'Zfi “we - , ' t 4 was was Ode! it; i , - . A w “or m St. Pierre an use 2“; E I ;’ ‘ .. I 3 r a f« ‘ le- tee- nee-me It; i f ,‘ - . V. ~ Evan-let he. “a... . 3444, ‘ ‘ a r ' 1 h 1 ‘ Q” ”N A". ' 5' " "v” " ' ”m" ’ " 4.4.45.» "3 33“ .,,., 4 '- snip-At ”war 4 “I; A s I y i , -‘ ’ t - a ’ t t tamer; 4 ~ ' 4 ,: i . A ‘__ J;- . , r a V A, . 7 , . “f w At _, _ ~ 3 ; 4 , i , ,- ‘ r 4 For tickets contact the Osmium 4 . a [ . an, , t ,_ r a! A \ bv‘ t ”T“ a -- . ”a, r A N. d .., < , l“ . .» x 4 , .. at; - if; (519):518-1570 «new - Q, 4 k , 4,1 . a,» A‘ «. t>§~ .' ‘ .Wz§§- s per , s z? Halal t v; . > .I‘ ”494K we“. v4. 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