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rograms designed into the repertoire | that evening. mond‘s concerts re in the Square. price from $20 to de Series concerts Wright will be held 6:45 at Centre in ckets are free to a ticket for that rpiece Series conâ€" er ticket informaâ€" ntre in the Square le nt. r Prelude events udience to orchesâ€" ind special guests the Masterpiece s at Centre in the aimed Canadian erâ€"Waterloo Symâ€" e Series.Returning stival in 1994 for ason, Wright has ecent productions reurs, Uncle Vanya, Shirley Valentine. in Prelude Series ay, principal flute of ow how an actress each approaches a a in Bb, K. 333. visation, Op. 20. h Ahapsody and linor. The perforâ€" held in the Kâ€"W c Society‘s Music ig St. W., Waterâ€" ickets are $19 for for students and e available at the rances at the Lyon with the Toronto e Montreal Symâ€" : Chamber Players degrees from the aris and the Paris where he won first inducting competiâ€" ngagements have ance for the KW society will feature +1570. mond‘s Sunday elect one of her pearean speeches ow she uses pacâ€" and emphasis to ords on the page ance.Kay will then 80‘s and Today" rioo box office . oks, Provident Jan. 7 and 8 at to show Based on a theatrical collaboration between Waits and William S. Burroughs, The Black Rider finds Waits drifting further toward the outer reaches of this increasingly bizarre musical world. Never one to travel rock‘s beaten path, Waits now draws inspiraâ€" tion from a strange mix of unusual instruments, scattershot arrangements and bizarre sounds, not the least of which is his ginâ€" soaked, Marlboroâ€"ravaged voice. To those who feel safest with Phil Collins, this will all seem like so much clatter. For the broadâ€" .Swiuflbwmckmplayi\gm&ammgismsp& wjff:g. Impressionabrl:: faogttalescents who live by the rule ip at hi pedals. And they‘ll love Time Mmmmfihmmâ€"am victory of style over substance. _ This is nothing new for Satrigni, an unquestionable virtuoso who has a tendency to eschew subtiety for overâ€"statement. He .delivers fi\elmckmnpmchesiy.flmwfimwhmmwwiuw seemingly endless onslaught of thunderous riffs and rapidâ€"fire scales. Over two CDs â€" one live, one in the studio â€" the dazzling technical prowess wears thin. It‘s like Spielberg‘s giant reptiles. After a few minutes of being overwhelmed by them, we‘re anxious for something more, like a story. Tom Waits The Black Rider Satriani has style, but lacks substance Things are going pretty well these days for Will Smith (a.k.a. Fresh Prince). He‘s the star of a hit TV series (Fresh Prince of Bel Air), he‘s getting rave reviews for his role in the critically acclaimed Six Degrees Of Separation and he‘s just released one of the most refreshing rap albums in recent memory. + Though considered lightweight by rap standards, Smith and Jeff Townes (Jazzy Jeff) prove again that few do it better when it comes to mixing clever lyrics and infectious grooves. Code Red is a treat from start to finish and there isn‘t a gangsta rap to be heard minded, however, The Black Rider will be a rewarding experience because Waits, Bohemian aura and all, is one of the few artists DJ Jazzy Jeff And The Fresh Prince Ross MacDonald is a Cambridge freelance writer WATERLOO CHRONICLE, WEDNESDAY, JANUARY 5, 1994 â€" PAGE 15