The following text may have been generated by Optical Character Recognition, with varying degrees of accuracy. Reader beware!

101130 We} VIDEO "_,".','.."" L; ”wiring; w; Bud;p:»;;_.v i: F , [ , Chapman and Michelle Shocked, ihndham Hill has put together this excellent collection of unknown folk Artiste. By trymg too hard to regurgitate pan successes. Annie Lennox and Dave Stewart are dangerously close to becoming a self-parody. A change of direction is needed at even'diehard fans will begin to question the product. LEGACY: A Concetta: Of NOW Folk Music Various Mists Windham Hill If this record is any indication, it appears the label (in) famous for its "New Age" music is finally spreading its wi . No doubt encour- aged by the sum Cl'Sld,11f, Vega, Traci If familiarity breeds contempt, one can be excused for rmding Eurythmic's recent release a touch dubious. This duo's eighth album is pamfu! evidence that what were once great Ideas are now wornout cliches. The {null - soul, r&b and eleetrtrpop wrapped in thim g upstudzowizardry-hugrownsothin t the songs on the last few nlbums Are virtually Interchangeable. Californiapopthan itaeortheWmtrrrttgtt. hewn guitar rock. TheengagingpopoftheBengleeendthe Graces is the obvious reference point, but whereas those bands tend to be too much even for a sweet tooth, Smith keepe the sugar content to a minimum. And beneath her glossy vocals and jangly guitar there’s a dark under- current, suggesting Smith haan't completely abandoned her past. A pleasant surprise. We Too Are One Eurythmics BMG Time for Eurythmics to try a new direction Airult Net is the brainchild of mm guitar mam t,i,,tltat'gt2ittd,iht,Nfl'; Mark E. Smith). as? _ . is, Tingle,” m trt _ whom-mud of "'0me (iii) BATMAN (iii), K9 ai), SCROOGED til) GHOSTBUSTERSII What's Coming iii) SEE NO EVIL HEAR NO EVIL © ROADHOUSE (i) WHEN HARRY MET SALLY diiiy NIGHTMARE ON ELM ST. PART v What’s New Shoekedarnortgthittmnehrrmsaimiot- 1tostoftltrpesrtaln1rd-ehartes,and tiattktM,,'2ttg,2ftet,tt.ttuttg withthemeticchnrmtithe thin 't i';l'lh'l't1rr'11"din,"d'lfe."l"gler,'Jh'gl'l'fr'fl t_h1tartiataarsot-innanioettr.8termtt Rylrehw_atra_ttterrtheretueriiieaIirte. claimed Rain Parade; Clitt Eberhard: has rretr1udwithRrieAn&matandMeianie,and haunting“ played witth Convention and he made a number of solo album. LEGACYiaamuat for folkfantrandavaluahu barometer of a vital movement that's quietly gimmeringjust beneath the commercial sur- Annie I'lulom’l Angelic voice won the spark that fired new a classical rock ensem- ble that enjoyed its greatest smog in the early '70s. Shel, built something of a reputation solely on the strength of her fiveoetave range, a gift best emaciated on her 1977 solo debut, Annie In Wonderland. Haelnm has done little since then and, unfortunately, her second album doesn't Mfy the wait. it's pleasant enough, but innocmu: to the point of being bland.0etuuttettanrdthesongtscarthe attributed to Larry Fan’s unimaginetive syn- thetie orchestration. Annl. Hahn ’ CLEAN UP BEFORE THE HERO COMES! CARPET _ CLEANING ANY 4 ROOMS I . 'iiiir,i'iitij'ii,r,i'i7rg,t,) . " l I "i11ieii',ii " ‘A "i't':i'ii'i'ii'?0Titm ma. 3 W". . "j. 'W. "N FiHFf' may“! Tiii PM l am Jirr" um. WEI-LS Cd 'l!,5i'i 207-bit = “mum-W‘- ail 373 5171de St. w. '\