--lc.i:: '//// k' “\\ ---c5 "". "s a &. PORTRAITS , 6s'o.t.tijtiawsieat,srytyit'o.tl.etsru'; gnaw TM Dunno I.†Bowie": Bras Fantasy Wt Dreams is a stark deviation from Bowie's work with the Art Ensemble of Chicago but it does Mamdhumortbat'sprevalentinmuchotbis solo work. Why else would he cover material as diverse as the Logan/Price chestnut "Personality" and Michael Jackson's "'Nriiier." While this eight-piece horn ensemble is somewhat raw and unfocused at times, Bowie’s sublime trumpet keeps everything on course. It's a frivolous d-tare from his more complex charts with the Art Ensemble, but anyone who can pay tribute to Jackson -tmseiiaitngtamtthesamettlttumiswortittt1is- OF PEOPLE AND PETS IN PASTEL OR CHARCOAL GINA PilllCONE 886-1838 533%. itstgiik StetetyP%lnNMaMuelc EtiemMemrniraetsatni-dtttdtarist/str-r+ ttnssmadea-borofroex_eethteoarty'TN. taeutsathaevxtealra-nndgrlarsmbasttstide tttattar,tnrthesrnlttmnatodatehavehe-maredby ioo-voealtrym-tieasandat_eyforthe improvisation has given way to straight ahead aindtng,mahintrthitshermotrttrnnfHeedaNmtyet. F'ortmce,irisesmmdsWeahe'tsnottryiatgtoimpre" the Judges. As usual, the explores a broad musical territory, from country and blues to gospel and reggae. And her trademark guitar sparkles, allowing her to breathe new lite into Bill Wither's “Lean On Me" and Steve Winwood’s "Can't Find My Way Ellen Mcllwnlne is a born-again singer and Looking For Trouble is a rich testament to the conversion. Looking For mug avoids such "at Misplaced 'ii), "Ill 'ii, 'ij, (;ii"'ii' 'i IQ" t' Els, [li I aei)li Kt {A fi22 I 'é' , J (i, ti 1eL=ru- r""CTC.9. iii, 'iii/ a! (friis, __ [i," THAT'S RIGHT. WE'RE RIGHT HERE AT WEBER 8: UNION, IN WATERLOO! AND HAVE WE GOT A DEALERSHIP WORTH OF SELECTION FOR YOU. WHETHER YOU’RE AFTER LUXURY, PERFORMANCE, GREAT MILEAGE OR A WORK VEHICLE, LET US HELP YOU FIT THE BILL. REMEMBER, WATERLOO DODGE, THAT'S WHERE THEY'RE AT. JTfllli]li)i WEBER AT UNION, WATERLOO TT tti-Nutt-tttttttttit-ttAV-ttMSR-r-rad." 743-0300 WI WhemNeworhartsm-hter/tsianiatMae_- "eAt1mtNrtaedi"Mpt.Juaoet1te,stemtae PM} were trerdtmattdtt-dBd by he traaistorma- timst_tetehaa-dthettmtddttctorttyaddiiim totttttswithactantrdtverseasEme-,Lakeand thhMhfts--orutatat1yreleattediat1---isthe record that best captures Dr. John‘s hoodoo vision of Mardi Gm madness. True to the wild celebrations on lanolia Street, the record is bizarre to say the least. Dr. John casts a spell over his New Orlean’s roots to create wild voodoo jive only vaguely reminiscent of his mentor, Professor Longhair. His best recorded piano playing was yet to come, but Gris~Grls is unmatched for its spontaneity and entrancing rhythms. And for current fans of the bizarre it may be the answer to who invented Tom Waits and Nick Cave. TTi YOU TIli m THE ii' JOE'" j