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* a & B “&\\ /( }: \\ l 44 i"' o 4 a r o PAGE 22 â€" WATERLOO CHRONICLE, WEDNESDAY, FEBRUARY 18, 1987 FEES: WLU Field Instructors for Faculty of Social Work 1986,/87 A FAMILY THERAPY WORKSHOP BY LYNN HOFFMAN AND WLLIAM MATTHEWS WEDNESDAY, MARCH 4, 1987 3:30 p.m. â€" 5:30 p.m. THURSDAY, MARCH 5, 1987 9:00 a.m. â€" 3:30 p.m. WILFRID LAURIER UNIVERSITY FOR REGISTRATION INFORMATION Wilfrid Laurier University PRESENTS There are few bands as complex as Shriekback. Lyrically ambiguous and rhythmically unpredictable, Shriekback hovers precariously on that fine line between art and pompous, selfâ€"indulgent art rock. They succeed because they never give in to the latter; the songs remain convoluted configurations that always challenge the listener. Big Night Music is a powerful mix of rock, funk, and tribal rhythms with Dave Allen‘s bass and Barry Andrew‘s lyrical puzzles again playing prominent roles. Theri muscular side is less prevalent this time out, with more subtle instrumental shadings giving the music a sometimes ethereal quality. Alternately spirited and haunting, cerebral and danceâ€"oriented, Big Night Music is an eclectic mix of modern rock and roll. It might be the answer for those who can‘t decide whether they like their music on the light or dark side. Across from Waterioo Square PDR PICTURE FRAMES Bateman‘s brilliance and dedication have never been stated so powerfully as in High Kingdom â€" Snow Leopard. He has created a stunning work of art that will grace any room in your home or office. This Special Limited Edition also provides an opportunity to help save this magnificent but endangered cat. FOR MORE INFORMATION CALL OR COME IN TODAY Print orders may be placed NOW through February 28, 1987 LAST CHANCE TO REGISTER! 112% KING ST. SOUTH, WATERLOO 886â€"5290 Marilyn Jacobe, M.S.W. :i":cbr of Admissions 75 University Ave. West ve. Waterloo, Ontario (519) 884â€"1970, Ext. 2024 Robert Pateman @ Robert Bateman $25.00 popâ€"funk of American disco. They did break some ground in the early days. Their first two albums proved they were more than just pretty faces. The music was danceable and intelligent, the main ingredients borrowed from synth pioneers Uitravox and the increasing fashionableness of Roxy Music. Notorious sounds more like a fleeting diversion from the yachts and opulent lifestyles than anything resembling an attempt to reâ€"establish themselves as valid musicians. The snippets of jazz, blueâ€"eyed soul, funk and synthesizerâ€"rock smack of dilettantism and singer Simon Le Bon doesn‘t have the savvy or voice to add any credibility. The panache of days gone by has given way to video age posturing the hackneyed formulae that shortchange the millions who have subsidized their luxurious lifestyles. The idea of rock bands as full scale marketing concepts can be traced to the success of Alice Cooper wave of British pop, Duran Duran came oh so close to consummating the teenage charm of the Monkees and Frankie Goes To Hollywood Island Once considered the torchbearers of the early ‘80s nticism ‘of Roxy Music with the smooth Jms KITCHENER â€" Located on the Kitchener â€" Cambridge Highway 65 3â€"254/ SALES LEASING * SERVICE + PARTS & BODY SHOP e r\‘â€"G‘“" L \TAGC Sale C REP Liverpool is tame in comparison. The idiosyncraâ€" cies and thundering dancebeats have given way to more conventional rock songs that fail to provoke the way ‘"Relax" and "Two Tribes" did. Like its namesake, Liverpool is drab and characterless, a grey effort from a band that should have never taken itself so seriously. _ Frankie is a perfect example marketing, brilliant videos and a can transform an average m sensations. overnight sensations. But the air of controversy surrounding FGTH has been just as responsible for the band‘s success. Welcome To The Pleasuredome, their 1984 album, was true to the hedonistic implications of its title. "Relax" and "Two Tribes‘"‘ became two of the most popular songs in British pop history. The former was an explicit exaltation of homosexual rights while the latter was a denunciation of the superpowers. and Kiss. Here were two bands that pariayed a modicum of skill and fresh ideas into multiâ€"platinum record sales. But it was never the music that mattered. It was the presentation, a gaudy combinaâ€" tion of outlandish special effects and stage personna. And if you couldn‘t see them live, rock mnfn.ines made sure their pictures were always available. While audiences today are generally less tolerant of such acts, bands such as Frankie Goes To Hollywood have flourished in a similar vein. Frankie is a perfect example of how shrewd marketing, brilliant videos and a flair for the outrageous can transform an average pop group into »d on the Kitchener â€" Cambridge Highway 6§53â€"2540 W