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p rs, Princess Elisal fli birthday August 21. An Eden (left), Sir Robert Vansittart (center) and Sir quords tial, ‘Hiamil edilantee pietured wt Parke (haneponier con: melds @il l0 caeie C CEEmee, mNp SHO 6P Nvse Would We excellent to aside for a gift. Mnl.k‘n- with detailed h-hrfi &um..&r-h:“um?h’:u&-mrm stitches 3 mln‘lunnhlb’t.. ll:'o-hm&..‘nyutA‘“ Mfimmfihm'l;m&i-:’fi:' charming crocheted collars. This fall and winter when you trans» ninnragl. wumh’:‘ao-'mah=.1 have seen ::-lmoledhn.:uu.na.md“ is ifrekeiogs mies ie to in menl as 9 fi".hht'uhlh olluoh.hrlul:ohu'uihnfi'-r. Lum-ummm weather, any one of these would An wak meblbs "pu cCc IRC Parley That Failed a Wiouie Trem. t c piod on deeioally tacmes ‘them, shent blows bubbles from pipe and y watche® away, Having achioved fume abeaiy, het dreams of a preat ruture Prime Minister Bennett wtm w&m%m?fl:h m wit hmmu&ci‘h-d!heufln. + w 6 â€"_â€"â€"â€" ‘ uf & j { + | wl ks F C 4 â€" WB &# ~ is (h> â€" h n f ; mt / i 6 $b * ie : 1y _>. â€" t 7 2e o «« B Y¢ â€" um l i 2 & W ¢ â€" & > A~<%C â€" tad h petrad . & ND & > > § ko ce ;. © | L O . o. mss t ; : ay ~*â€" s 0 .w-. e s k â€" B â€"i > «s i/ + :) n ‘1"", \ 1 4 :‘ "" R & " 7 io M ro â€" ; im > 29 i " hk +A L s y _ 9 aont â€" i * / ~Callk i 4* s 4 % sb Py Chys eplosk __. $u> < 9 / s h.h.hm mam Oh, would 1 were the ocean. was interested the other day in Here he is shown with Cameraâ€" Ts & ihe ‘Wiied Aihaciact‘ luy arms to the VAIN WIBM he listens Wiedig «o. mov:ug lowards the right, you will motice at once that the picture be. comes reatlessâ€"full of MOVEMENT. In Fig‘s. 231 and 232 the movement is to the right, horizontally, Now study the movement in Fig. 233, the ‘a-noulrllcunnmmnw in a quarter.lurn position, as differ. Ing from the horizontal or profile view of the otaer two H!luatrations. A profile view or profile motion pic. torially is monotonous, and that is why the movement in Pig. 233 is so tmuch more Interesting, it shows perâ€" spective instead of a flat profile. It would take lonzer for the horse and rider to pass out of yview in this picâ€" ture than it would in the other two pleture. Note how pleasing the lap. ping of the men‘s hat over the top frame.ine. w.nruhh-tdm or object; a cut.of is when a motif or dbject is cut.o@ by the frame so as to partially cover it. . Pig. 331 iEustratés an example of a bad cut.off by a frame.line cutting off the Read of the horse. In an ex» ample such as this, the observer fee‘s that the picture space will soun be empty, as the horse steps, forward. The "movement" in the picture tends to lead or to centre our eyes or viâ€" slon on the frame.line at the right upright. Then, naturalily our eyes are attracted to the next picture, of the eamel. A practical illu:trator or de. signer can lead the observer to look towards diferent parts of a pleture plane, with the greatest of case. . __If y6u put more horses and riders into this plcture plane (Fig. 231), AND : CUT.OrF8s Glenda Farrell and Addison 0. Punw .A o#â€"Stollywood, ared at Lake Arrowhe* & +Y were seen -mn-onolnmmtnm’v,rfibd'fll:.. Movement rement as demonstrated in this ‘ is also known as MOTION DYNAMICS, We merely draw attention to MOTION at this [4#Sketch Club & FIG. NO. 2 32 These lessons are free. We invite questions from our readers which will be answered without any charge. A small fee is charged for criticism on readers‘ sketches. Enclose a three cent (3¢) stamped, addressed return envolope for personal replies to: The Art Director, "Our Sketch Club," 73 Adclaide Street West, Toronto. EX. No. 70 search for pictures which lend themselves to the proper placement of frame.lines arocnd them in order to avold a bad cut.of as demonstraf®4 in Fig. 231. Then sketch in the frame.lines and note the reâ€" sultâ€"is it pleasing? | tions ihat would by virtue of their build lecd the welves more practical for the placing of a circle behind, the head, ‘and for vriation paint inâ€"the circle solid black when the head is ummuum'un.s‘ sition: may be des‘zned in this minâ€" mals which you car fnd in Mustra. EX.No. 69 owing to the long neek of the camel, a small ¢ircle ‘as :iHlus. tyated in Fig. 23% is really not good design. There are many other ani. time because it is associated -l T Tre closoly with "LAPPING®, Create Standards Of M--unm-mnmg:’m te Dredlme- wich to draw your attention to, and | . g;’"‘" â€"‘whakks that is "A BAD POINT OF CONâ€"| " fors ntenance. 'rm.'hnl:'lz""'""‘ Â¥eceo 4 the under i. move S | _1 onjoyed watching "her," whites -'.C""-'..""""""'lolo.lanhbdhmm mummwmnm‘..mumwlonl: wmu?m““:'r:!uummhn“ td Te uie s prom d i dreaatouani :mmumamummdw“.. m-lmumho--uiuunâ€".uhnâ€"mmm nmfilfl"""m-'nnmm‘&cnmudl fish ie Snide ott ‘h0,.070, S00F !a matter of how she had done _ her in Tok imu im <orp AORE SeP | hatr â€" and â€" in â€" the â€" atyle â€"af | REF ues u«;wmm':qml:l:'m:!mm,.m,h a wooden over l * P gra ...mf,'u'n'-wm-l-l‘- :"u'.."“"m straight . and :..i'nl:.'mlhl’dllflw" We were all having suppér at a y BB ids ib n ol vndii css Ni 5. +. < & sentry is seen presont» the 157 Oy 5P oBP . P Bot INF hoif ‘ar a my the car over with no help from yeu, Kow let‘s see what you can do." L 3 C EoL CC eP e e window» and said: . "I‘ve stood enmukh of this eternat the brakes and tha woke up as they bamped Jones‘ wife was a back seat driver. Jones, as is usual in such cases, wa# a mild, long suffering individual. Buy ane day he had enough. They were driving exmy to a rallroad M" '*'R Jones had féllen usicer and «ho distinguished air, because of the hair being swept up from the brow and the urch of the eychrows being acconluated. We can‘t get a new face, but we can considerably alter lhc:ll'doulf'ocmuuh the trouble, A ~wellâ€"known portralt ”Wnllwxuoudlh de*®ug factors in fashions in facâ€" ws. "Just consider the vast change in the past 100 years between the “Numuw-h‘ldlh short young person of today enjoying an undreamtâ€"of freedom. A different standard of facial type is Il'm:r':vd&hmn:‘t character, but just an expression that is a teflex of thetime." MILITARY STYLE This is. of course, true of men just as of women. There was the erisp, clearâ€"cut military frshion in fnces ducifig the war, which was a very obvious and natural developâ€" ment for men leading much the same k:dllo.flu::hohnlm heavy wigs that were wors in the days of Charles H. and James L ME Wiane escceslcasoen tC ie ME ds M. Piagg are c# e# of artists respon. sible for distinctiv fashions in faces, In another fow years timeâ€"the standâ€" ard of Aashion .will muu, have changed again, as it from that Of ten years ago." ’ STANDARDIZED BEAUTY "An artist," he "paints a trn-lhurll:c:-&nhuu-. He idealises and accentuatâ€" es certain traits.. His portraits and sketches gain notcrietly and admiraâ€" &"fil.l“awm‘- undndwd + oman, adaptable Weâ€" wan. conforms as far as possible to ish times, and that one‘s grandâ€" mother dwelt in a thoroughly worthy era. Famous artists have a good deal to do with creating fashions in facâ€" es. That is the opinion of a modera artist who some time ago wrote an mu_____gg_gmm hairdressing ? I"‘.':‘ mzh-umnqu an enormous inuuence on the % lons in women‘s facesâ€"so we judge by lhmm handed . down Lisa undonbtediy was, yet‘ lol‘no(lh&muu‘fi1 it the cunning, cruel, and sinister atâ€" mosphere of the Middle Ages. And l.!l'.ltflllllofllw that the Puritan women their little round in a demure Pssimâ€"singâ€" Ing age; that, gadzooks! the cighâ€" teenthâ€"century wench lived in roguâ€" ’m.i&&&dii.ifiii.wu-‘ ness theâ€" patrician, womarâ€"ofâ€"theâ€" ‘Mmoulhnmoh:n"h-'t makned mon o Ram back, "stunning" ratherâ€"sureâ€"ofâ€" so often, plled frontal "cushion." m--m mmmnm:‘m difference in style she can in her faceby merely changing© her dance she stroked her silk glossy e saite trim aht ~Aalloning" the contour of her neat little head. A wooden dolly coiffure and the vivid, omm eeraines 1935. Quite a new fazhion in faces. CHANGE IN COIPFURE Yes; of course there are fashions ting along a country lane and square. We were all having suppér at a smart restaurant, and .after each dance she stroked her silk glossy unlfiu-nhnnlhqmz ing quite trim and â€"following in spple® ce nns m mea se x: o TVPES OF FACBS _ pok»d his head in at the Gactundiiize mds »v 400 steeah w es cpnduerain 4009 o 2. c