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,,fii 3 wWORD m munon " (minimum 80¢) PL tâ€"k NOTICE is hereby given that an interim dividend of Five Cents (5¢) per share, in Canadian funds, F:s been declared by the Directors of Aunor Gold Mines Limited, payâ€" able March l1st, 1950, to shareholders of record February 10, 1950. Toronto, Ontario. January 26, 1950. Parkâ€"Fletcher Clothes of.ers you an opportunity to go into business for yourself â€" now! _If you are capgeble of sellingâ€"modâ€" erately priced clothing and have a reasonable following â€" this ad can bring you a brighter future than you ever thought possible. Aunor Gold Mines Limited _ _DIVIDEND NOTICE OR RENTâ€"Large heated apartâ€" ment, suitable for khairdressing or dnessmaking, 58 | Bruc2a Ave, South Porcupin». Apply Frank Holmes, Agent. By Order of the Board. Your Own Business are whoilly at adverâ€" C. H. Windeler Secretary BARTLEMAN: We wanted a man. This man appeared to be more cepâ€" t‘ble. He had been found to have had more experience. This man was highly qualified. * The ‘gentleman mentioned is a Mr. "Andy"‘ Patterson, 11 Helen Street Timmins. "Do you know that this job was given to a bachelor, receiving partial pension for disability received in the first world war, 1‘ man who has been living in Timmins just a little while, and has never, worked here before? "I do not mean to hurt this gentleâ€" man in any way. He got the job. But the facts remain as mentioned above. He has a pension and money besides. There is not one of the rest of us who could do the work well, and stand the wage, little as it is, offered by the town."‘ LAPORTE: I presume you have all read this letter. I suggest we take it parsgraph for paragraph. "A month 1ig0"â€"(he read)â€"‘"the town council advertised for 2 welfare investigator. About 12 local persons, including myâ€" self, made the application, and were interviewed by Messrs. Bartleman, Fay and Bailey, wnd, of course, George Reid, welfare administrator. MRS. LLOYD: He could speak no French. Mrs, Lloyd nad been employed as an investigator by the decyrtment for three yeors. The council had "let her out" sonie time ago, and had reâ€" eently hired a male investigator. Messrs. Leporte and Earl Byirkwell produced clippings containing the Jetter. F ME hnetr ol lc Nang oA ts n â€"_â€" the selection and charged George Reid, â€"welfere administrator, with being "lazy.‘ * Thke town council held a special meeting after the usual eouncn meetâ€" ing on Monéay. The s meeting concerned George Reid, Welfare Adâ€" ministrator, Mirs. Lloyd and letter written by Mrs. Lloyd to the Adiwunce last week. Leo Laporte, chairman of the Welfare Department, presided. Present were the following: The Mseyor, Council members, Clerk, Mrs. Lloyd, Mr. Reid and Mr. McDonald, town accountart. In a letter to The Advance last week Mrs; Llova complained yibout 10 MRS. LLOYD: May.I say why I put that in? Because Mr. Reid never came in in the morning until nineâ€"thirty or twenty to tep. And then he would go out. : At five minutes past ten you. could not hold him in. What he do I do not know. And there would be people waiting. ‘"While an investigator was hired for a few months last winter, the Press carried z lot about deserters put in jail for nonâ€"support. Then it died down again. Why? Knowing George Reid for a most lazy person I can understznd that investigating in the home§ was not made. If he did, he could not stretch his legs on top of his desk for hours. He is not reâ€" quired in the office to do the bookâ€" keeping, since there is a bookkeeper and the office is closed every afterâ€" noon. There is no retsson in the world why he could not devote those four hours, at least, to investigate. It is cold outside. It is far more comfortâ€" able to read the investigator‘s reports inside, than to go out and dig them for himself, and the title is not as high, either." REID: . .. Wellâ€"1â€"it could be that I am a little lazy. I don‘t know LAPORTE: The Council would have gestions. charge to the tewn. That is our chief BARTLEMAN: How m problem here. (He read the following~ my.de â€" on the average? from the letter. ** MRS. LLOYD: I made : MRS. LLOYD: Ido not want Mr. Reid to lose his job. But I think Mr. Reid is wrong. He has no reason for me not getting the job. And I want to know why he is against me? BARTLEMAN: But what we want to get at is this â€" the statements â€" whkether or not they yire true? , MRS. LLOYD: They are right. I would feel very disrespectful if they were not true. Mrs. Lloyd? BARTLEMAN: Now why do you have to ,,but-t in? REID: That is absolutely incorrect. My legal counsel advises me that is definite libel, with my personcl name being dij.gged down. BARTLEMAN: Would you make an affidavit that that is so? REID: Yes, I would, Sir. MRS. LLOYD: It was true. I would not put my riime to anything that was not true. SALOMM Mrs. Lloyd had not the time to . (to Mrs. Lloyd)â€" REID: I do not make 1x record every time I go. ' _ BARTLEMAN: There should be a record ° BARKWELL:! ‘If we are a fact findâ€" mg committee, should we come to a ‘Conclusion? _LAPORTE: I believe we have conâ€" sidered every angle enough for the present DEL VJLLANO: (Ko Bartleman, who was reading Mr. Reid‘s report)â€" I would like you to check on that. And:â€"I would like to hear more from Mrs. Lloyd and Mr. Reid. But now I am going home. ~"BARTLEMAN: (deducing Mr. Patâ€" terson‘s calls from the report) Seventyâ€"five calls in three weeks. And yet it takes a yerr to make 181 ealls. It just doesn‘t â€" there is something wrong â€" REID: Every call he mikes is not recorded. Sometimes I make a numâ€" ber of calls. They are not all recordâ€" ed. BARTLEMAN: No record for every call? LAFORTE: (reeding from letter) "L never before made ) report to the public. do hopa this will help the taxpayers. Write, or ask, personaily, to the council, and trust them to be honest with you. Find out how far apart the investigetions were made in the homes. Now is the time. An inâ€" vestigator is hired, and from this inâ€" vestig=tor, not from Mr. Reid, should the ;answer come â€" in case he would alter the conditions. * «MRS. LLOYD: I made my calls four times a year. Sometimes seven and eight. very different from writing a report of what they tell yau, in the office. Some cre honest, but you must find out for yourself the conditions in the homes. what pays."‘ LAPORTE: | That is a matter of opinion. But we are glad of new sugâ€" gestions. BARTLEMAN: How many ealis are REID: Investigation : in the homes is important. But it is not most imâ€" portant.‘I would say that the mist imâ€" portant. T would say that theâ€"most important point was finding out the pay and sa‘ u‘y whether he was workâ€" ing. $+. MRS.; LLOYD: I think Mr. Reid should go out and make investigations himself and save the cost to the town. "Once woman has let herself go in careless habitsâ€"she can‘t regain her ysuth in a beauty parlor, with ons hand dipping into rose witer, and having cosmetics plastered over a dead face! They will paint her up like an actress; they‘ll powder her like a marshmaliow; and bloody her fingernails till she looks as if‘s}'xe’d been in a fight. They‘ll flay her face. They‘ll hoist it up and reef it. Women spend happy, hopeful hours in beauty parlors, and then go out and exhaust themselves. They tear their faces to pieces, frowning too much, laughing at nothing, worrying and fussing and would do more than the more they‘ll like it. .It brings trem business. ‘"Yes, she‘s one of cur best customers. She‘s been ccming to us no for years." But do they ever warn her nct to pull at her neck nervously when she‘s talking, to start a sagging bag of flesh where their throats ought to be?: Not at all. If they did the beauty parlors would go ‘out of business. They work only on exteriors. their Itoks. ‘"If you would be youthful don‘t dwell on the past. Don‘t be argumenâ€" tive: discuss without l}.eat Telling your troubles makes you seem old. age. Learn to adjust ycurself, to all Keep flexible. If you do foolish things cccasionally, you won‘t ‘freeza‘ into old age." But are those pretty masseuses interested in â€" what causes the pouches in an old lady‘s face? Why, the more sttention they can give her, Mr. Burgess, the autMor, gives men pretty good trimtming down, too. The book is like a cold shower. "Among many adults there‘s a complete surrender to youth," sys Mtr. Burgess "Many have lost ali spirit of competition. They admire and envy ycung peopleâ€"and go home to slump into chairs, pushing out stomachs, and humping their shculdâ€" ersâ€"without a thought, toc better theniselves except to sick messes on their faces and tog up in furs and jewelry." particulerly popular with girls. The writer‘s ccpy has been loaned to sevâ€" eral, never returned, and always râ€" trieved reluctantly. â€"‘ Curiosity.. Attention! facial treatment# to restore Neck Pulling When I first played my first love scene I was scared to death, says C€lirk Gable. The director told me to use a longing expression. I did my best. . I tried to think of a big, tendâ€" er, juicy steak. It worked so well thet I‘ve been using it for love scenes ever since. The world is a ‘ cruel place. It laughs at your slightest imperfection. Newspapers will publish your failings without the least scruple. How will ruthless reporters describe you, when you break into the news? Yeur friends won‘t tell you. Have you ever wondered how your stencgrapher or your cook really sees you? Perhaps you will say you den‘t care? That‘s all right. But youthfulness is caringâ€" not for vanity‘s sake but for one‘s own selfâ€"respect. But the style is prssible in listenâ€" in shaking hands, in writing a letter. Style isn‘t affectation. It isn‘t merely convention. It isn‘t aristocraâ€" tic pretense. ift is merely doing tbings properly â€" without letting your mind wander. When you do things with that kind of style, it‘s evidence of clert, conscious control of the actor. Such style lifts you up into the mood of youth. It makes you youthful. These are the principal impressions derived from reading "Look Eleven Years Younger,‘" by Gellett Burgess. 5.S,. change. it emphasizes today. A uniâ€" formed crmy is more exciting than an ordinary mcb. Fashion makes for youthfulness because it indicates reâ€" newal. It prevents settling down. it keeps you stirred and bubbling. And style is important too. Even if you‘re a bit awkward you can still Rcequire style. If you know wht you‘re doing and concentrate on it. that gives you grace. Doing anything well gives grace. Skill is grace. A hockey player has grace and so have some sedoâ€"jerkers. Well, you can be graceful in taking a seat, putting on your hat, getting into a car. Good Style and Bad And when men take off their hats to a lady, many of them do it shameâ€" facedly. They hurry their hats back onto htier heads and seem relieved when the crdeal is over. Any Latin enjoys taking his hat off to a ladyâ€" not merely touching the brim. How to Love _ Kinscelle, H. G.â€"Around the World in Story. Glonimsky, â€" Nicolasâ€"â€"The Rpad to Music. Kinscella, H. G.â€"The Man in the Drum. â€" Kinscella, H. G.â€"Tales of Olden Days. ; Ls Prede, Ernestâ€"Marching Notes Lillie, L. C.â€"The Story of Music and Musicians. ' Colles, H. C., editorâ€"Grove‘s dicâ€" tionary of music and musicians, Srd edition. Pulver, J.â€"â€"A dictionary of ~Old Enllish Music. Echoles, Percyâ€"The Oxford Comâ€" panion to Music. Wier, Albert, ed;torâ€"mcyelopde dia of Music and Musicians. Spmt.h Sigmundâ€"Fun With Music (Staries behind the wcrld s great music). mony. Jones, G. K.â€"Joyous Stories From Music‘s Wonderland, x Kinscella, H. G.â€"Conrad‘s Magic Flight. * Copeland, Aaronâ€"What to Listen For in Music. knowledge. Erskine, Johnâ€"What is Music? harrison, Sidney â€" Music for the Multitude. Horwood, Fredâ€"Listening to Music Taylor, Buchanan, F. R.â€"How man made Coleman, . N.â€"Creative Music in Krehbiel, H. E.â€"â€"How to Listen to in health and boitom in cost. , R! L.â€"â€"The Game of Harâ€" RAILWAY STREET Ansonville Silver Grill A..â€"â€"The book of musical i SERVE FINE FOOD Deems â€" Of â€" Men â€" and PAQUE SEVEN BCOKS ;'.zé- i