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Romanticism is not confined to spreading skirts. The slim narrow silâ€" houette comes in for its share. Back to Josephine and Mme. Recamier looked Vionnet for her enchanting gowns, made with high waists, revealingly draped bosoms and skirts clinging straight over the hips, having some f ullâ€" ness at the front and swinging into Paris.â€"The new clothes that will be worn this summer, if Paris has her way, will be steeped in romance. This, of course, is particularly true of those that will appear after sundown, when glamâ€" cur can take its bow. But even daytime fashions are not without their aura of the romantic, with their gay colourings and decorative details Witness Molyâ€" neux‘s flower belts and Patou‘s bright embroidery frocks, to say nothing of Schiaparelli‘s fluttering. butterflies. The most striking of the new romanâ€" tic evening fashions concsern themâ€" selves with the fullâ€"skirted silhouette, with yards:of material swirling graceâ€" fully about the legs. Molyneux uses 30 yards to make some of his robes de style! The majority of these frocks are sheer and diaphanous, their graceful folds being of tulle, chiffon or lace. To this there are some exceptions. Printed taffeta serves Mainbocher for his cirâ€" cular skirts; Molyneux has selected crepe satin, slipper satin and plain taiâ€" feta for some of his formal bell gowns. The skirt fullness varies in treatment. In some houses it is held at the sides, a few emphasize it at the centre front. Ssome skirts are shirred chez Molyneux; Chanel studs them with silver spangle stars, when the skirts are black. Milliners‘® flowers worked into bouâ€" quets or wreaths are scattered just above the hem by Magzy Rouff. Alix, who has a penchant for doing things to the [;sottom of a skirt, puts full ruchings on yvoluminous creations of sheer maâ€" terials, sometimes making them of two layers of contrasting colours: Trimâ€" mings sérve to enhance their effect. Lanvin lays a sgrolled pattern of braid in a contrasting colour on‘skirts whose fullness‘ is conmentrated at the back. while Panquin follows the mede for emâ€" broidery or applique. o Fitted Bodices The bodices of the fullâ€"skirted frocks are generany snugly fitled, since swirlâ€" ing 1'uems are wont to set off the taperâ€" ing upper portion of the body. Moly- neux lays the drapery© in horizontal folds, while Maggy Rouff is more apt to follow the curves of the body. Lanâ€" vin plays up the bodice by wrapping the waist with a wide girdle in a bright contrasting colour, suggesting a rather high waistline. narrow trains. Molyneux combines sheath frocks of printed crepe with Romance and Glamour in Evening Fashions French Designer Uses Thirty Yards of Material in One of Season‘s Outstanding Models The Only Furriers district doing fully Beaver Fur and Ladies Wear 2 EMPIRE BLOCK Furriers in the Porcupine ing fully guaranteed work on the premises. not confined to T IMMINS â€" â€" â€"~ This year be one of the smarter dressed ladies. With your spring ensemble choose a fur neckâ€" piece, they are ultra fashionable. and we have a style you‘ll like flyâ€"away ruffled coats of tulle. In a more fantastic mood ‘he envelopes these cclumns of crepe in fullâ€"length coats ci ostrich feathers. The glamcour iof ancient Egypt is evoked in ths same designer‘s gowns of rainbowâ€"striped : crepe. They â€" closely mold the figure, the stripes being sO cleverly manipulated that they enhance slimness. Magzy Rouff is another who likes to handle her fabrics so that they cling to the body. To her slender gowns she gives movement with two floating panels, made of contrasting colours, brought over the shoulders in front and fallinge to the flcor at the back. $ Two Silhouettes Glamour is largely reserved for the evening; daytlme m:odes are more sober, at least as pertains to ctutline. In his collection, Molyneux encompassed two important silhouettes, (The one his shortâ€"jacketed suit, the bther his enâ€" semble with a long swinging coat which beasts of no button to fasten it. The trotteur has a briefâ€"fitted jacket and a fullâ€"zsircular skirt. It is in navy blue, the muss daytime colour; at the neck is a crisp bow of white, a detail that invariably appears on his navy suits. If white is not employed it is replaced :y a shade as vivid as a sunset in full glory, or the bright nuances of a Gauâ€" guin canvas. Molyneux makes this same type of costume with the jacket in a gay shade, preferably his featured Gaugin pink. Molyneux has two long coat silhouâ€" ettes, one straight and slim, hanging Evening w formal ones neux‘s ¢f sl robe of a re one in a fe:s As might well /:e expected, no lady will leave her house in a romantic gown without concealing it under a romanâ€" wrap, that is if she follows the dicâ€" tates of Paris. Girls will step into their fashionable fine furs Silver Fox Martin Kolinsky Mink, etc. THE PORCUPINE ADVANCE. TIMMINS, ONTARIO PHONE 1160 Butterflies Appear as Clasps Everywhere Large pockets of white taffeta are an outstanding feature of a‘black Chantilly lace caat recently shown in Paris. The use of lace and the sharp contrasting of black and white are both indications of Spanish influences in style. Butterflies have landed on everyâ€" thing, aczording to reports of the couâ€" ture cpenings in Paris. Shops are up to the second with butterfly clips that one can fasten almost anywhere on one‘s outfitâ€"the back of an evening glove, the throat of an evening coat, the brim of a hatâ€"where you will. Some :;utterâ€" flies available here have wings of clear laminated cellulose film. Their bodies are made Of brightâ€"coloured feathers Other butterflies are made entirely of feathers in bright pastel tones, painied with spots in many colours. S This designer‘s collection also inâ€" cludes some fitted and unbelted coats that mold the waistline and have a slightly flaring skirt, One of the strikâ€" ing fitted models is lased at the front as if it were a wide girdle. Lacing is an extremely important detail in the Molyneux collection. It is used not only on daytime frocks and coats but on the most beautiful of the evening gowns. On the coats the lacings are always of a matching colour; on frocks they are often contrasting. Pink ribbon laces a lovely evening gown of brown lace. Pullâ€" length stoles in self fabric have a conâ€" trasting colour edging the fronts of some of the Molyneux coats. On this page cne is shown in bright green on a coat; the stole ends are finishâ€" ed with large tassels. sShapely Tucks The majority of daytime dresses have softened bodices. The type of draping 2ssociated with Alix is imporiant. Magâ€" gy Rouff uses little tucks to give fullâ€" ness, and Molyneux shapes his gowns with them. Necklines have lost their severity; many ways are found to make them flattering to the face. Shoulders are no longer pufifed up with their own importance; only a few houses stress them; the tendency is toward a much more feminine roundness. Dresses with vestee bodices, or Sodices made to resemble vestees, are shown in many of the houses. Molyneux makes them on some of his most successful daytime frocks. He gives them V neckâ€" lines that are filled in with cravat szcarfs. They are of his new bright pastel shades. To complete the ensemble efâ€" fect the vestees are piped at the sleeves, the centre front closing with the same shade. Contrasting coloured pipings are featured by many houses. straight from the shoulders and not meeting in the front, the other a very losse full back, which is unbelted. Most ot these coa‘ts are unlined. They may be of lightâ€"weight wool, wool and satin combined or taffeta. Sheers and appliques together spell chic. Note the full sleeves and swing skirt in this charming model. "The green gowns and brown gowns reed the orange snade of cosmetics," Miss Betty HMHarris of the Goldfielas Druz stcre said this week. *"The reds and ‘blacks require the vivid red rouges and lipstick and the blues and gre; are matched with powders having a slisght amount of Mue in them." That means three sets of cosmel:*ecs for every woman who can wear the three gown colours. Treatment of the skin is becoming more and more a part of the cosmetic business. â€""Nourishing" creams of many goodi kinds are now available. Cosmetics This Year Must Match Milady‘s Costume Flowers Brighten Homes This Easter Floral Pageants in South Show Trend of Continent Thisâ€"Year. States and soon the ic Canada. There‘s rarely anything "new" in flowers that reaches the general public, but this year has produced one feature cthers lackedâ€"specially scented orchids. New species have been developed in these exotic fNlowers and emit a variety of scents emulate such other flowers as the rose, pansy, hyazcinth, spirea and syringa, it was learned at the Timâ€" mins Flower Shop. iady s cCSituinge so that tLhfgre WHi Dbe I clashinx of colours,, azcording to t newest fad of Dame Fashion. Shoes More "Feminine" This Season Than Ever COne day of the year when almost every home is brighiened with flowers is â€"Easter. it/is then that the dafâ€" fodils, tmlps. Easter lilies, and violets seem at their best. Théese days a glance in the show window of Timimins Flower shop is enough to remind one that spring is really at hand. This year, in particular, the beauty of ficwers is being accentuated. Even the spring hats show that, for many of them have perfect reproductions of the prettier flowers to set them off. Especially in the cities does this apâ€" pear to be a floral year. Immense pageants have already ‘been staged in the more northerly part of the United Fel:rics, notably gabardines, have proven themselves "good shoe material" and they combine in many slick ways with.patent, . kid, baby calf and suede. Suede is no longer considered exclusâ€" ively a fall and winter leatherâ€"it is deâ€" cidedly chic for spring and summer, too. Baby calf and.kid are, of course, the favcurite smooth leathers. Patent ranks righ. As for shoe colours, black and navy are choices, but the new "Red «Earth"!® and "Carnelian‘ shades are perfect complements to blues, grays and beiges in the spring fashion picture. Pofore you embark on your first spring shoeâ€"buying expedition, keep in mind the following "pointers" abou:t new shoe fashions. First of allâ€"shoes are more feminine and flattering to the feet than last year, all in keeping with shorter skirts and more romantic clothes. There is practically no such thing as a classic type shoe, except for sportswear. Heels are higherâ€"you‘ll be elevated on thresâ€"inch spikes and like it, since your feet will look smaller. But yvou can insist on "flats" for walkâ€" ing becuwuse you‘ll want more pairs of shoes, one for each special need. Cutâ€" outs are the "buyâ€"word" in everything from pumps to sandals, running the gamut of stepâ€"ins, oxfords, monkâ€"types and strap shoes. Open toes will not wait until summer to ibe worn, for even on the street you will wear discreetly open "peek" toes. Perforations, larger and more numerous, decorate all kinds of shoes and massed stitching is smart when beautifully done. Highâ€"inâ€"front is a silhouette well established by nowâ€"and very comfortâ€" able it is, as well as good looking. have their own story to tellâ€"«ven pumps got a strap effect via ne@k backs; "swing straps" are news, ing straps that cross over the ins ‘hat have a wrapâ€"around effect; ankle straps remind you of the "Mar Janes" you once wore, and they set off many a slim ankle; some straps are arâ€" ranged to give your feet a ‘"bound up" look. Cosmetics this vear must match miâ€" lea 13 (0 re will will spread to