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Thursday, February>.lOth, 1972, -,WH.TBY, FREE PRE3ýS art? ,f Csstuming Contînued from Page 6 1li ke more by changing the trimmings, ad diîng a littie lace or taking it away, and changing the accessories, the over- c oats and capes, tVie hats. "Costumes of that vintage, the 19101 s and'1201 s, are hard corne by,"I he says. "lSome we make up, using the old' mat- erials wve find. Some come from stock. Meg's wedding dress (a creat ion of egg- sheil satin overiaid with lace, and with satin fiowers at thewaist and the shoul- der)partîy came frorn a pair of old lace cur tains given me by a friend years ago. The satin underdress we made, and the flower trim 1 did myseif."I "An aid af g han, practical ly fall1ing ap art, 1 used in a scene in Episode 3, where the famil y cornes out of'the house in their nightcilothes to listen to the bel1 Is a n nouncing the end of the First W orld W ar. t w as draped over the s haou I d ers of old Adeline ta keep her warm. Il "Old thlngs a prole. The designer points out that "'authen- t i c ail y old things are a problem, be- c a use we use t h em sa much that they s t ar t ta d i s i ntegrate. This dressing gown, for instance, worn by Alayne (M au r een O'Brien), pale pink chiffon oav er sîilk, heaviily erbroidered. Yau can see the chiffon.is falling apart in pi a ces. We have ta, rei1nfarce the ern- braidery, and add ta, it ta hide the tamn chiffon. Much of aur work is repairing. "lAn other problem with period cos- t um e s is ta f ind the right fabri cs naw available. For instance, itts almost irn- possible ta get plain sîIk taffeta ribbon -- taday itîs ail nylon or rayon, too crisp and stiff. I found sone at Torantots Kensington Market, at a jabber's place. Alotof aur trimmings came from there. Nobody uses them any mare. Trouble is, wetre 50, busy here I don't have time ta, shap much. Friday (I WALL. SIMEET WE EVENING FRENCH CHEF-< 8:00(1)(1) ID ID (D M0 0ALFRED HITCHC( NEWS, WEATHER, SPORTS 8. 0 SAF)D8 03 REACIf FOR THE TOP Co) * y Te) am 0%AVIDFRa "oST REVUE ,am a m r n COS085NEWS--Wai«Cronkjge (~MOVIE-Ofmm C)(1) TO TELL TUE TRUTN "Crawlapace." --Came (e) (2) (M ) OOM 222 (re) 93 99 STORY THIEATRE () JUNDER ATTACK ( Fairy tales brought to Ilile. ARCHITECTURE SBRADY BUNCH (M)< MOVIE-Druma SMOVIE-To Se Announcod "Sirocco."151) «JPIERRE BERTON-lntervlew (r.) 9:20 (M'AND ANOTHIER THIO Guest: David Niven. 9: 30 ( 000D COUPLE (f)ALL IN THE FAMILV Y FAMILY 0F MAN 2)MUNSTERS 10: 00 < ALLI N THE FAMILV 7:30 (]D PETTICOAT JUNCTION C) JOLYMPIC WINTER (f)GILLIGAN'S ISLAND () 7)(f)LOVE, AMERICI (f)MR. WHATNOT STYLE (C) <~COMMUNICATION AND wFDî EDUCATION M4 TRUTH OR CONSEGUENCES W HUMANJOURNEY 0 (fD ( DICK VAN DYKE W DAVID FROST (M C)LET'S MAKE A DEAL HWAI(IE0 r ()DRAGNET «D) 10:30 (~ROLLIN ON THE RI' f»W DON RICKLES ~ -Varbety «D «ARNIE çe A= BLESS THIS OS WADAM-12 ()' (fl» )DPN RICKLESi (f)MOUSE FACTORY ()(ARLANDIIARD SUlS "lSometimes, if 1 can't get exactly what I want, I go with silks -- we have todye a lot to achieve the right colors. We're flot using synthetics at al; they look so wrong on camera. For crowd sequences, such as the gymkhana in Episode_ 1, Dantz raids the stock wardrobe at CBC, taking a part of one costume, a part of another to achieve the right look. For that par- ticular scene, set in l914and comprised of l ad ies and'gentlemen and children w a t c h i ng a horse show, he borrowed some costumes from CBC Montreal. Hat$ "The hats we have to, make, I he ex- plains. "Hats donIt survive as long as dresses and suits. Il Another of the problems is created WEATHER, SPORTS rc Ca MOVIE-Double FatWe 1. *'The Harder. They Fa11." <'1956) 2. "Diay of a High Sctiool Bride," (Drama; 1959) 11:20 ~VIEWPOINT--NewsAnstah Si NEWS# WEATIIER, SPORTS ~ ci' NEWS, WEATHER, SPORTS 11: 30 ())Xi OLYMPIC WINTER QAMES (CD Speclal [Johnny Carson wIIll ot be seeri.) (1) MOVIE-ouble Postre (C)' 1. "A»asult on a Queen." <(1966) 2. 'House-Ol Women." (OÃ"rama; 1962) M TORlONTO TONIGHT ) "Olel Die? My Darlingi" (1965) ()MERV GRIFFIN (Z) SPIERRE BERTON-lntervl.w MOVIE-Myetwy "Scream cf Fear." <English;, 1961> Il. :40jD Xi OLYMPIC WINTER GAblES() E3MOVIE-ueical "Robin and the 7 H coda." (1964) Il: :45 SKI, SNOWMOBILE REPORT & GD MOVIE-Droine "The Story on Page One." (1960) l: *55 El MOI-Trîpl* Foulure (Z 1. "Good Day for a Hanging."1 (1959) 2. "Father la a ýBacholor." 4(1950J 3. "Bring Vour Smile Along." (1055) 12: 00 oe MiOVIE--Double Festuro 1. "The Great Waltz." (Musical; 1938) 2. "Honolulu." (Comedy; 1939) a IMOViE-Double Foulure (M) 1. "The Pets y." (Comedy; 1964) 2. "Jamboree." (Musical; 1957) M MOVB-Drmo»- "The Pawnbroker" (1965), a) MOVIE-Drama "The Helen Morgan Story." (1957) 12:40 (0 MOVIE-Melodramna ) "Plyro." (Spaniah-Amorlcan; 1964) 1:00 ()MOVIE-Adivenure ) "'The Witch Beneath the Sea." (1962) 'R) NEWS (M 1:05 (I) CHANGINO TIMES ) 2:00 in) CONCERN-Roligion by the fact that several episodes are shot simultaneously; and at one point in the s ch e dule parts of three dîfferent ep- isodes were before the cameras at the s a m e i m e . P reparlng ahead "AIlso, we have to prepare for two or t th r ee e pis odes ahead, "lDantz says, l'and those future episodes have to be set Up, al1 the costumes pl anned. Some- times we star t the enti re shoot ing sched- u 1le w i th the biggest scene - for in- stance, the gymkhana. Often there's no' time to make proper, sketches, but 1 ai - ways do pencil drawings. And always we'reworking against time and deadline. Contlnulty 0Of t en, too, we don't real ly know how a costume will look until the last' mi1n u te, on camera. We have to keep track, too, of continu ity -- because of the possibi lity of re-shooting, we have torecordevery costume in every scene in detail, along with the accessories, jewels, everything. i J.wellery for Mei ladies Jewelry for the ladies comes from Horst Dantz's own collection, gathered over the years at auct ions and sal es--- "11 buy what looks expensive but isnIt expensive. Il Men's Costwns "Men' s costumes are easier,"I Dantz says, "lbecause there's not the range in men'sclothing. We have tail coats, and some riding jackets in stock. We found some in second-hand stores."I Born in Germany, Horst Dantz went to d es ign s ch ool in Berl in, working thereon stage productions. Emigrating, to Canada in 1957, he came to Brockvil11e to some friends, then on to Toronto to 1 o ok f or work. For ei ght months, he supported himself by washing dishes, house painting and doing other odd jobs. S i nce September, 1957, he has been a CBC costume designerý, work ing on some of the most important productions - in- cludingTheStrange Case of Dr. JekylI and Mr. Hyde, starring Jack Pal ance, and many CBC-TV Festival productions. "Lady Windermere's Fan was one of the better ones visual ly, "lhe says. "1I've alI- ways1 concentrated on d -%rama - Deining V e * For The Ob *b Active & LiveIy Ones Adam &Eve * UNISEX FASHIONS WHITBY MAIL I FLEA MARKET growing fast. I We 23 PRINCE ST buy and selI any- ,, OSHAWA thing. 725-9783